Columbia University: How to Apply for 2025, Acceptance Rate, and What To Expect as a Columbia SOA Film Student

At Columbia University School of the Arts, film students master the art of storytelling in motion, learning future-facing visual and narrative techniques. Instructors include Academy Award winners and nominees, such as James Schamus (Producer and Screenwriter, "Brokeback Mountain," "Crouching Tiger, Hidden Dragon," "Moonrise Kingdom") and Ramin Bahrani (Producer, "The White Tiger, "99 Homes").

In 2024, Columbia maintained its no. 7 rank on The Hollywood Reporter's annual list of the top 25 U.S. film schools. And in 2022, FilmSchool.org ranked Columbia University among the top 10 undergraduate film programs in the U.S., along with runner-up for Best Screenwriting Program.

FilmSchool.org conducted an exclusive interview with Columbia University's Admissions and Industry Outreach departments. Take a look to find out what admissions officers look for in the application, common application mistakes to avoid, and tips to excel as a Columbia student:

What is it like studying film at Columbia University School of the Arts? ​

Located on the upper west side of Manhattan at 116th and Broadway, Columbia is widely considered one of the most beautiful and walkable urban universities in the nation. The University's historic residence halls are surrounded by greenery, including the South Lawns and Morningside Park. New York City houses four major American broadcast networks and popular cable channels, such as HBO and Comedy Central, along with dozens of independent film and television studios. Plus, film students have an incredible range of locales for film shoots at their fingertips.

New York has many film screenings Columbia students can enjoy, from the Metropolitan Museum of Art's film series to Manhattan's historic Quad Theater to the Lincoln Center. They can also attend the iconic Tribeca Film Festival, Brooklyn Film Festival, and New York Film Festival, among other noteworthy events.

Students use a variety of light packages and shoot on the Canon C200, Panasonic AU-EVA1, and Sony FS5. ARRI cameras are available for advanced film shoots. The Columbia Casting database connects students with talented and trustworthy actors. Additionally, the Digital Media Center assists graduate film students with their coursework.

For an inside look at Columbia University's film MFA program, read FilmSchool.org's interview with Columbia graduate Patrick Clement:


FilmSchool.org also spoke with Columbia University alumni Zeno about life after film school:


For even more information about studying film at Columbia, check our Current Film Student Ask Me Anything (AMA) threads and send general questions for Columbia University students to askastudent@columbia.edu.

Renowned Columbia University film program alumni ​

Columbia University alumni dominate the Academy Awards, the Emmy Awards, the Peabody Awards, and other historic film awards.

Kathryn Bigelow (MFA, ‘79) became the first woman to win the Academy Award for Best Director for "The Hurt Locker."

Lisa Cholodenko (MFA, ‘97) wrote and directed "Olive Kitteridge" and received an Emmy for Outstanding Directing for a Limited Series. Most recently, she directed the Hulu limited series "The Girl from Plainville."

Anna Winger (BA, ‘93) created and wrote the Netflix limited series "Unorthodox." In 2021, Winger entered a partnership with the streaming service.

10 commonly asked questions about Columbia University​

1. What makes Columbia University School of the Arts exceptional? ​

Columbia trains students to become filmmakers by infusing its curriculum with producing, writing, directing, film theory, and navigating the business side of the industry. Students benefit from the University's impressive alumni network, award-winning instructors, vibrant urban location, and emphasis on storytelling.

FilmSchool.org spoke with cinematographer-producer Tal Lazar, who taught at Columbia University School of the Arts, to learn a bit more about what sets the film school apart and how it differs from other major film schools, namely AFI.

Part 1 of Tal Lazar's interview is available to all FilmSchool.org members:

2. Is Columbia University test optional? ​

Yes. Columbia does not require the SAT, ACT, or GRE.

3. What is the average GPA of Columbia University applicants? ​

There is no hard and fast minimum GPA requirement for Columbia's graduate and undergraduate film programs. However, you should aim for a competitive score. (The average Columbia student has a minimum 3.91 GPA, according to Campusreel.org.)

FilmSchool.org's Application Database allows members to see the accepted GPAs of Columbia applicants who are waitlisted, accepted, or rejected. You can also sort applications according to GPA.

4. Can I apply to more than one MFA film program?​

You can apply to two or more MFA film programs per cycle. However, you must submit separate applications and pay two application fees.

5. How important is the portfolio? ​

Columbia University School of the Arts has a holistic admissions process. Each section of the application is positioned as an opportunity to tell the admissions committee what makes you the best fit for the BA or MFA program. Your portfolio should demonstrate your passion for film, the talents you will bring to your program, and your artistic vision.

6. Do all applicants receive an interview?​

The Office of Undergraduate Admissions does not require an interview for acceptance. (Optional interviews may be given depending on how many volunteers are available.) The Office of Graduate Admissions requires an interview for acceptance.

To find out the percentage of FilmSchool.org members who were admitted after an interview, visit our Acceptance Statistics pages for Columbia's Screenwriting & Directing (MFA) and Creative Producing (MFA).

7. Do the MFA Film Programs emphasize collaboration?​

Both the MFA Creative Producing and Screenwriting/Directing cohorts work closely together to create short films. The 8-12 minute film at the end of year 2 allows Creative Producing students to actualize Directing students’ best works.

The 8-12 minute film project also helped create film crews for major motion pictures such as "Boys Don’t Cry," "American Splendor," and "Monsoon Wedding."

8. Are film students allowed to work part-time? ​

New York City is one of the most expensive cities in the U.S., and students should plan accordingly to finance their degrees. Part-time jobs on or off campus are permitted, but the Office of Admissions advises students to account for a heavy course load. Classes run Monday to Friday and often last over 8 hours.

9. Is student housing available?​

Columbia Housing offers undergraduate-exclusive residence halls where film students have a safe, inclusive space to study and form lifelong friendships. The program guarantees housing to all students (excluding visiting students) who apply to live on campus and study full-time for up to four years. Freshmen are required to live on campus (excluding sororities). Eligible students may request special housing accommodations.

Graduate applicants do not have guaranteed housing. If admitted, they can apply for dorm-style rooms and shared apartments through the Columbia University Apartment Housing program.

10. If I withdraw from the film program, can I reapply?​

Yes, but only if you attended Columbia University within the past five years. Request the paper application to reapply by contacting soaadmissions@columbia.edu. For more information, read “Readmission for Former Students” on Columbia University's website.

Information sessions and campus tours​

Learn more about Columbia University School of the Arts in one of these information sessions, or schedule a guided campus tour by going to the University Visitor's Center. To make an appointment with a School of the Arts admissions counselor, please email soaadmissions@columbia.edu.

Virtual tours are also available for the Morningside Heights Campus and the Manhattanville Campus.

Graduate applicants​

MFA film overview
Watch the full session online

MFA Q&A sessions
Film MFA - Creative Producing
Date: Tuesday, November 19, 2024 @ 6 PM ET
RSVP here

Film MFA - Screenwriting & Directing AND Writing for Film & Television
Date: Monday, November 25, 2024 at 7 p.m. ET
RSVP here

Undergraduate applicants​

General financial aid information
Date: Wednesday, December 18, 2024 at 7 p.m. ET Online (Zoom)
RSVP here

Undergraduate information session I
Date: Friday, November 22 at 10:00 a.m. ET
RSVP Here

Undergraduate information session II
Date: Friday, December 6 at 10:00 a.m. ET
RSVP Here

International student Q&A
Date: Saturday, November 23 at 9:00 a.m. ET
RSVP Here

Students of color at Columbia panel
Date: Thursday, December 5 at 4:00 p.m. ET
RSVP Here

Application advice session: Regular Decision
Date: Friday, December 6 at 5:00 p.m. ET
RSVP Here

Editor's Note: This article has been revised to reflect 2024-2025 application instructions.

Continue reading...​

• Columbia University Acceptance Rate​

• Showcase your films at Columbia University Film Festival (CUFF)​

• Columbia University Cost of Attendance Financial Aid, and Scholarships for 2025 Entry​

• How to Apply to Columbia University's BA in Film and Media Studies for 2025 Entry​

• Columbia University General Admissions Requirements for Graduates in 2024-2025​

• How to Apply to Columbia University's Screenwriting & Directing MFA for 2025 Entry​

• How to Apply to Columbia University's Writing for Film & Television MFA for 2024 Entry​

• How to Apply to Columbia University's Creative Producing MFA for 2025 Entry​

• How to Apply to Columbia University as an International Applicant​

• Columbia University Application Deadlines and What to Expect After Applying​

• Increase Your Chances of Acceptance to Columbia University​

• Read the full article​

Columbia University has an overall acceptance rate of 5.1%, according to Ivycoach.com.

The undergraduate class of 2028 admitted 2,319 students out of 60,248 applicants (3.84%). The graduate film program is also highly selective: only 8% of Screenwriting/Directing applicants and 4% of Creative Producing applicants are admitted each year. However, FilmSchool.org members have reported generally robust acceptance rates. Our Application Database uses accepted applicant demographics, prior filmmaking experience, lowest accepted GPAs, test scores, and more.

After you apply, be sure to log your own application with our database so that we can improve this data:









Rejected applicants are encouraged to reapply the following admissions cycle. Transcripts and letters of recommendation are retained for one calendar year and can only be repurposed once. All other materials, such as English proficiency scores, the online application, and creative materials, cannot be repurposed.

If you're rejected for three consecutive years, you cannot reapply the following admissions cycle.

Considering applying to Columbia to study film? Find out the application deadlines and admissions decision notification timeline based on our Application Database.

Undergraduate application deadlines and admissions timeline​

BA in Film and Media Studies*

Early Decision

• Early Decision Application Deadline: November 1, 2024 at 11:59 p.m. ET
• QuestBridge National College Match applicants: November 1, 2024 at 11:59 p.m. ET
• Early Decision (Financial Aid Applications): November 15, 2024 at 11:59 p.m. ET
• Early Decision Admissions and Financial Aid Notifications: Mid-December 2024
• Early Decision Response Deadline: Early January 2025

Regular Decision

• Regular Decision Application Deadline: January 1, 2025 at 11:59 p.m. ET
• Regular Decision Financial Aid Applications: February 15, 2024 at 11:59 p.m. ET
• Regular Decision Admissions and Financial Aid Notifications: Late March, 2025
• Regular Decisions Response Deadline: May 1, 2025 at 11:59 p.m. ET
• Enrollment Deferral Request Deadline: May 15, 2025 at 11:59 p.m. ET
• Final Transcript Deadline (for Incoming Students): Late June, 2025

Exclusive FilmSchool.org Data calculated from our database:

• Earliest/Latest Interview Notification Date: Not Reported
• Earliest/Latest Interview Date: Not Reported
• Earliest/Latest Decision Notification Date: Not Reported
• Earliest/Latest Admitted Off Waitlist Date: Not Reported
• Earliest/Latest Scholarship Notification: Not Reported

*Note: Not enough FilmSchool.org members have logged their applications to provide our overview of the admissions timeline. Click here to log your application and help other students.

Graduate application deadlines and admissions timeline​

Writing for Film & Television MFA

• Application Deadline: December 3, 2024 at 11:59 p.m. ET

Exclusive FilmSchool.org Data calculated from our database:

• Earliest/Latest Interview Notification Date: February 3 - 6
• Earliest/Latest Interview Date: February 13 - February 27
• Earliest/Latest Decision Notification Date: March 7 - March 23
• Earliest/Latest Admitted Off Waitlist Date: June 16 - June 16

Screenwriting & Directing MFA

• Application Deadline: December 3, 2024 at 11:59 p.m. ET

Exclusive FilmSchool.org Data calculated from our database:

• Earliest/Latest Interview Notification Date: February 2 - April 23
• Earliest/Latest Interview Date: February 7 - June 1
• Earliest/Latest Decision Notification Date: February 5 - April 7
• Earliest/Latest Admitted Off Waitlist Date: April 4 - April 4

Creative Producing MFA

• Application Deadline: December 3, 2024 at 11:59 p.m. ET

Exclusive FilmSchool.org Data calculated from our database:

• Earliest/Latest Interview Notification Date: January 16 - February 10
• Earliest/Latest Interview Date: February 1 - March 17
• Earliest/Latest Decision Notification Date: March 5 - March 26
• Earliest/Latest Admitted Off Waitlist Date: April 29 - April 29

What to expect after applying to Columbia University​

Columbia University sends admissions decisions via email and (occasionally) by mail. To update your email address and/or mailing address after you apply, email soaadmissions@columbia.edu with "Applicant Address Update" in the subject line.

Decision notifications are not sent during March and April. The University does not offer critiques of application materials or feedback about admissions decisions.

Interviews for BA in Film and Media studies applicants are offered at random and not required for admission. If you are selected, you will meet with a member of the Alumni Representative Committee.

The University has a waitlist. Waitlisted applicants will receive notifications as soon as spots become available, no later than the beginning of August 2025.

If you are accepted to your undergraduate or graduate program, you must submit a non-refundable $800 deposit by check, credit card, or money order to Columbia University by the deadline in their admissions decision letter. The deposit requires your program name, concentration, and CU student ID. If the deposit is not postmarked or digitally submitted before or on the due date, your admissions offer will be rescinded. Deposit extensions must be arranged in advance of the deadline and are granted on case-by-case basis.

Admission deferrals​

The University grants admission deferrals only in special circumstances. If you receive an admission deferral, the non-refundable $800 deposit will hold your spot until February 1, 2026. Financial aid and scholarships do not carry over to the following academic year. Re-enrollment before the February 1, 2026 deadline requires an additional non-refundable $400 deposit.

Access Columbia's acceptance statistics and admitted applicant demographics​

Columbia consistently ranks among the top East Coast and U.S. film schools. To see how you measure up against other film school applicants, get a head start by becoming a Supporting Member.

As a Supporting Member, you gain access to:

• Data about Columbia's waitlist
• The average amount of financial aid given to Columbia SOA students
• Applications from admitted, rejected, and waitlisted Columbia SOA students
• Admissions statistics for Columbia University's BA and MFA film degrees

Upgrade your membership today to enjoy full access to the exclusive data in our Application Database.

As an Ivy League, Columbia University is one of the most competitive and costly film schools. However, Columbia is tuition-free to all undergraduate students with families that earn less than $150,000 per year. Half of all other incoming first-year students receive an average grant of $76,265, while 24% receive a Pell Grant.

FilmSchool.org's Application Database offers an overview of the total scholarship amounts received by our graduate members:

• MFA in Screenwriting & Directing Admissions Statistics
• MFA in Creative Producing Admissions Statistics

Keep reading to find out the cost attendance for undergraduates and graduates, how to get financial aid, funding for international students, and other funding opportunities.

Cost of undergraduate attendance (Fall 2024-Spring 2025)​

Academics

• Tuition: $71,170
• New student fee: $675
• Books, personal expenses, and transportation: $3,992

Cost of Living

• Housing and food: $17,580

Total cost of attendance: $93,417

Room and board fees vary year by year and reflect the cost of living in New York City. In addition, all first-year students must pay to live on campus. the cost breakdown reflects a student living in a residence hall. For more information, visit Student Financial Services.

Undergraduate applicants with families that earn less than $66,000 per year are not expected to contribute toward the cost of tuition. Additionally, freshmen applicants from low-income families receive a $2,000 start-up grant to streamline transitioning into college.

Undergraduate financial aid eligibility requirements​

Undergraduate students are expected to borrow $0 to attend Columbia University. The undergraduate financial aid process requires the steps:

1. Submit the FAFSA: The application for federal financial aid opens on October 1, 2022. Use school code 002707.
2. Make your CSS profile: To obtain institutional aid, including the Columbia University Grant, make your CSS profile starting October 1, 2022.
3. Provide tax documentation: Upload tax documents for you and your parents (or step-parents or guardians) to determine eligibility for the Columbia Grant.
4. Complete the Outside Scholarship and External Payment Form: Upload this form if you need more than Columbia’s institutional aid.

Columbia University encourages prospective applicants to use the estimated cost calculator. Undergraduate applicants who expect they will need additional funds after they receive their financial aid package can file an appeal.

Note: Transfer students are not eligible for scholarships through Columbia University, but are encouraged to seek third party scholarships and federal financial aid.

​

Cost of graduate attendance (Fall 2024-Spring 2025)​

Academics

First- and Second-Year Students

• Tuition: $74,846
• Career Services fee: $160
• Student Activity fee: $90
• University Services and Support fee: $1,190
• Health Services fee: $1,388
• Medical Insurance: $4,955

Third- and Fourth-Year Students (Research Arts)

• Tuition: $6,186
• Film MFA Thesis Fee: $5,320
• Career Services Fee: $160
• Student Activity Fee: $90
• University Services and Support Fee: $1,190
• Health Service Fee: $1,388
• Medical Insurance*: $4,955

Cost of Living

• Housing: $14,751
• Food: $6,882
• Transportation: $1,323
• Personal expenses: $3,177
• Books and supplies: $1,250

Total cost of attendance for first- and second-year students: $110,012
Estimated cost of attendance for Research Arts year: $46,672

Living expenses are rough estimates and vary by semester. The total cost of attendance does not reflect additional fees, such as lab fees of $30-$125 per course and late payment or registration fees of $150 or more. To help offset these costs, Columbia offers a limited number of two-year Teaching Assistantships that pay over $24,000.

Domestic graduate students can request a waiver for the Columbia Student Health Insurance plan by submitting an application. The application must be submitted at the beginning of the academic year along with proof of coverage.

International students must be insured by Columbia University’s health plan, unless they provide proof of coverage through a U.S.-based, employer-sponsored, group health plan as a primary, spouse, or dependent. Learn more about Columbia University's health insurance plan.

Graduate financial aid eligibility requirements​

Financial aid is need-blind, meaning your financial background will not affect your admissions decision. Full-time students (12-18 credits per semester) have first priority for Columbia University School of the Arts scholarships. Students in their thesis year(s) are billed at the lower Research Arts rate and thus rarely receive institutional scholarships.

To apply for institutional aid, follow these steps:

1. Choose the pull-down menu option in your School of the Arts MFA Application for Admission stating that you wish to be considered for institutional aid.
2. Complete the online School of the Arts Financial Aid Application by February 4, 2025 at 11:59 p.m. ET.

Institutional and federal aid are not awarded during the summer semester; graduate students must plan accordingly for the D4 film project and living expenses. Prepare in advance by reviewing the School of the Arts financial checklist.

To apply for federal aid, follow these steps:

1. Fill out the Free Application for Federal Student Aid (FAFSA): Use Columbia's code: 002707. In order to electronically sign your FAFSA, you will need an FSA ID.
2. Submit the FAFSA by the final deadline: The form is due by June 30, 2025 at 11:59 p.m. You cannot receive federal aid until the form has been submitted.

Billing schedule for all students​

Film students are billed online via the Columbia UNI account with Student Account Statements. Students are sent a link to their statements each term (also available at ssol.columbia.edu). The monthly payment plan may help you manage the cost of attendance.

Fall billing is spread across four statements; spring billing is spread across six statements; and summer billing is spread across two statements. Bills not paid by the first due date of the semester will incur a $150 late fee. Learn more about the billing schedule.

Funding for international students​

Each year, Columbia awards an average of $19 million in financial aid. International students are not eligible for federal student aid, so the University provides funding through institutional resources. The average award for international financial aid recipients is $66,350, usually encompassing a Columbia grant (non-repayable) and work-study.

International students who need supplementary funds may be eligible for loans from U.S. lenders; many of these loans require a credit-worthy U.S. resident or permanent non-U.S. resident as a co-signer. Learn more about qualifying for international student loans. The University recommends these available lenders.

Federal Work-Study and scholarships​

Columbia University offers a need-based Federal Work-Study (FWS) program to financially support film students through part-time employment. Positions are available throughout the university and within the off-campus community, including research-based roles and managing live events. Funds are dispersed from July 1 through June of the following year. To apply, you must meet these requirements:

• Be a United States citizens (or permanent non-resident).
• Complete the FAFSA for each year needed to receive aid.

Financial aid is entirely need-based, so Columbia does not offer merit scholarships. A limited number of graduate students receive fellowships.

However, students have other options to offset costs not covered by the Columbia Grant or federal financial aid. New York State offers grants, scholarships, and loans to New York residents attending part-time or full-time degree programs. The University encourages applicants to explore their database of more than 2,000 outside scholarships. Additionally, some Columbia students have had success with the BAFTA scholarship.

The BA in Film and Media Studies at Columbia University School of the Arts teaches students how to become accomplished film scholars and artists. The program is offered through Columbia College, the School of General Studies, and Barnard College and open to newly instated sophomores who declare the Film Studies major. 12 courses (36 credits) are required to graduate.

Students analyze films, screenplays, and filmmaking techniques to create one short film or write an original screenplay. They learn more about how to deconstruct the technological and cultural significance of a film and how to write stories rich with meaning. They also gain hands-on experience through internships with film companies, working on Columbia graduate film projects, and joining Columbia Undergraduate Film Productions (CUFP), a student-led organization.

BA in Film and Media Studies alumni pursue careers writing, directing, and producing films; they also work in film distribution, public relations, and film archival services. Take a look at the year-over-year program breakdown:

Year 1​

Students complete their general education courses through their college, along with the prerequisite course for the major: Introduction to Film and Media Studies (FILM UN1000). FILM UN1000 is offered at the start of each semester and examines film through the lens of aesthetics, history, theory, and criticism. In addition to examining the evolution of Hollywood and how other artistic movements have shaped the industry, students learn how global warming and terrorism have impacted creating and distributing movies.

In addition, students must take 7 electives throughout the program from the following list of courses:

• FILM UN2130: American Film: Comedy
• FILM UN2132: American Film: Cult ＆ Exploitation
• FILM UN2134: American Film: The Western
• FILM UN2136: American Film: Film Noir
• FILM UN2290: Topics in World Cinema: Arab and Africa
• FILM UN2292: Topics in World Cinema: China
• FILM UN2294: WORLD CINEMA: LATIN AMERICA
• FILM UN2310: THE DOCUMENTARY TRADITION
• FILM UN3010: AUTEUR STUDY
• FILM UN3013: Auteur Studies: Chantal Akerman’s Cinema, Writing and Moving Images
• FILM UN3910: Senior Seminar in Filmmaking
• FILM UN3925: NARRATIVE STRAT-SCREENWRITING
• FILM UN3950: SEMINAR IN MEDIA: SERIALITY
• FILM GU4020: Brazilian Cinema: Cinema Novo and Beyond
• FILM GU4294: World Cinema: Latin America
• FILM GU4320: New Directions in Film and Philosophy
• FILM GU4300: Black Film and Media
• FILM GU4310: EXPERIMENTAL FILM ＆ MEDIA
• FILM GU4910: Seeing Narrative
• FILM GU4940: QUEER CINEMA
• FILM GU4953: Reality Television

By the end of year 2 (upon successful completion of FILM UN1000), students declare the Film and Studies major.

Years 2-3​

In year 3, students take Laboratories in Screenwriting (FILM UN2420), Fiction Filmmaking (FILM UN2510), and Nonfiction Filmmaking (FILM UN2520) to develop their portfolio. To graduate with honors, students must take the Senior Seminar in Film Studies (FILM UN3900), a course that requires a thesis that demonstrates high-level proficiency in film criticism. A maximum of four screenwriting and filmmaking classes can be counted towards the major.

In year 4, students draw from their theoretical, cultural, and historical film studies to create their capstone project. The Senior Seminar in Filmmaking (FILM UN3910) allows students to develop the thesis film while learning how to distribute and market their work. The Senior Seminar in Screenwriting (FILM UN3920) gives students the opportunity to write and revise a 30-page screenplay.

How to apply​

Before you apply, check to see if your high school coursework meets the minimum requirements. (Homeschooled applicants have unique guidelines). Then, submit the following:

1. Application: Complete the Common Application, Coalition Application, or QuestBridge Application along with the non-refundable application fee of $85. (If the application fee is a financial burden, submit this form to request a fee waiver.) Each version of the application requires:
   • A personal essay
   • A list of your achievements and academic accolades
   • Employment history
   • Autobiographical information
2. Columbia-specific questions in the Writing Supplement: Explain why they are a good fit for Columbia University by answering these questions. The Writing Supplement gives the Committee on Admissions a better idea of how you currently contribute to your community and what you'll bring to the program.
3. Secondary school profile: Provide official transcripts from all high schools attended, one high school counselor’s recommendation, your school profile, and one completed mid-year report.
4. Letters of recommendation: Upload two letters of recommendation from two high school instructors who taught you in academic courses.

If your application will be late due to a medical emergency or a natural disaster, email an extension request as soon as possible to ugrad-ask@columbia.edu. For even more information about the undergraduate application process, read Columbia's FAQ page.

Ready to apply?​

Get started through the Common Application, Coalition on Scoir, or QuestBridge.

Before you apply to Columbia University School of the Arts for graduate film, take a look at the general application requirements:

1. Complete the application: Fill it out online, plus pay the non-refundable $110 application fee. To request a fee waiver, you must fall into one of the categories below. If so, please email proof participation/service/status to the Office of Admissions soaadmissions@columbia.edu:
   • Veteran of the U.S. armed forces
   • Foreign national who is externally or internally displaced with refugee status or who has received US asylum or submitted a US asylum application
   • Alumnus of AmeriCorps, Peace Corps, Teach for America, Higher Education Opportunity Program (HEOP) and Educational Opportunity Program (EOP).
   • Undergraduate Pell Grant Recipient
2. Transcripts: Applicants must have a bachelor’s degree from an accredited undergraduate institution at the time they matriculate into Columbia University School of the Arts. Upload a scanned copy of your transcript from the institution from which you received your bachelor's degree. (Do not mail paper transcripts prior to an offer of admission.)
   • Official transcripts are only required after you are admitted and must be received by June 30, 2025. You must also provide an official transcript indicating you obtained your bachelor’s degree prior to entering the program. Request that each institution you attended sends an electronic copy of your transcripts to Columbia School of the Arts at soaadmissions@columbia.edu.
   • If the institution you attended does not have electronic transcript delivery or a vendor for electronic delivery, you must write to soaadmissions@columbia.edu and include a link to the institution’s website regarding transcript orders and delivery. Columbia School of the Arts will reach out with more information.
   • International student requirements:
     • Transcripts in any language other than English must be translated.
     • If you attended a Chinese institution, you must contact CHESICC to arrange submission of a “Verification Report of China Higher Education Student’s Academic Transcript” and a “Verification Report of China Higher Education Qualification Certificate” (for those earning a degree in China) to the School of the Arts at soaadmissions@columbia.edu.
     • All other students who have attended an international university must submit an electronic transcript, if the institution offers secure online delivery. If the institution cannot send transcripts electronically via a secure, password-protected system, contact World Education Services (WES) and order a Course-by-Course Evaluation and International Credential Advantage Package to be sent to soaadmissions@columbia.edu.
3. Letters of recommendation:Provide three letters of recommendation from academic or professional contacts who can speak to your creative ability and potential. (Personal references from friends or family are not allowed.) If you received a bachelor’s degree in the past 5 years, at least one recommendation must come from an instructor at that institution. After you input your recommenders’ contact information, they will receive an email with instructions on how to upload the letter.
   1. Letters of recommendation must be submitted online by one week after the application deadline. Letters submitted after this date may not be reviewed.
4. Creative materials: Each MFA program has unique portfolio requirements. All creative materials must clearly state your name, date of birth, name of program to which you are applying, and title of the material (dramatic writing sample, autobiographical essay, etc). (The School of the Arts does not provide portfolio or application material reviews.) Click below to learn more about each of the program’s portfolio requirements:
   • Screenwriting & Directing MFA
   • Writing for Film & Television MFA
   • Creative Producing MFA

The Screenwriting & Directing MFA at Columbia University School of the Arts is a testament to how storytelling is at the heart of the film program. In three years, students learn how to tell compelling stories for film, television, and emerging digital media through intensive writing and directing projects across genres. Rigorous writing workshops help students develop and refine short- and long-form scripts under the guidance of industry experts.

The University encourages cross-disciplinary collaboration: Creative Producing MFA and Screenwriting & Directing MFA students share a common first year curriculum and second year electives. This curriculum helps students enter the industry with a diverse professional network and a deep understanding of the symbiotic relationship between writing and directing.

Take a look at the year-over-year program breakdown:

Year 1​

In the fall, students begin chipping away at Columbia’s Core Curriculum. These courses are taken by all film MFA program students and explore the essential elements of directing, narrative storytelling, and production:

• Directing I
• Directing Actors I
• Elements of Dramatic Narrative
• Ethics & Inclusive Storytelling
• Fundamentals of Directing
• Practical Production I
  Screenwriting I

In the spring, the curriculum builds on filmmaking and storytelling principles mastered in the fall semester by taking the following courses:

• Directing II
• Directing Actors II
• Practical Production II
• Role of the Producer
• Screenwriting II
• Script to Screen
• Secrets of the Short
• Analysis of Film Language (recommended)
  Intro to Pilot

Screenwriting & Directing students complete an 8-12 minute film production.

Year 2​

​

Spring—Fall​

In the fall, students choose to concentrate in screenwriting or directing. Screenwriting concentrations take these courses in fall and spring:

• Screenwriting III*
• Screenwriting IV*
• Fundamentals of Editing

(*Note: Screenwriting III/IV is a year-long course taught by the same instructor.)

Screenwriting concentrations have priority for the TV Writing: Pilot course. This course is required for students who plan to write for television for the thesis. They may also take elective courses in directing and producing.

Directing concentrations take the following courses in fall and spring:

• Directing III
• Directing IV
• Directing Actors III or IV
• Fundamentals of Editing

They may also take elective courses in screenwriting and/or TV writing, plus producing, such as TV Directing and First Features.

Summer​

Students collaborate on the D4 film, an ambitious short film directed by a Columbia SOA Directing student.

Years 3-5 (Research Arts)​

Years 3-5 are devoted to the thesis, also known as the Research Arts years. For-credit courses are no longer required. However, graduate students are encouraged to attend thesis development and preparation workshops and master classes led by guest filmmakers and other industry experts. Master classes discuss directing for television, directing your first feature, writing and directing comedies, strengthening your pitches, advanced editing techniques, film scoring, and more.

Screenwriting concentration

Students must take the following courses:

• Script Revision: For Screenwriting students in year 3 who focus on writing for many mediums
• TV Revision: For Screenwriting students who specifically focus on writing for television

Directing concentration

Students must take the following course:

• Directing Thesis Advisement

Screenwriting electives (for thesis students)

These electives are open to Directing students, but priority goes to Screenwriting students:

• Advanced Feature Writing
• Advanced Pilot Writing
• Advanced Screenplay Revision

How to apply​

Prepare to submit the following materials (from Columbia University School of the Arts's website):

1. Autobiographical essay: Four to six double-spaced pages. (Tell the Admission Committee something about yourself and your background, artistic experiences, creative influences, and professional objectives.)
2. Dramatic Writing Sample: A log line must be included. No more than 10 pages. Must be in screenplay format and must contain dialogue. This can be a complete short screenplay or the first ten pages of a screenplay. It must be original; it may not be an adaptation, except of your own work in another form. Please do not submit writing in prose form and no theater plays. The story cannot be the same as the one in your feature film treatment or your optional video submission.
3. Film prompts: Read the following openings, choose one and imagine the scene that might follow it. The scene you write must include both dialogue and description. It should be no less than two and no more than three pages long. It should be written in screenplay format. (These prompts change every year. The prompts listed below correspond to the Fall 2025 application):
   • EXT. CITY STREET - DAY
     On a bustling city street, the MAN stops, begins setting up a tall metal stand, then places a MICROPHONE atop it. Tapping it, he produces a loud sound that gets everyone's attention— including the PERSON in an adjacent office window. Then he makes his announcement.
   • INT. APARTMENT - MIDNIGHT
     While everybody at the party counts down the seconds to the approaching New Year, the WOMAN watches one particular GUEST sneaking out of the apartment unnoticed. Suddenly panicked, she grabs her coat, exits and races downstairs to the street - practically toppling over the person she’d intended to follow.
   • INT. TRAIN - NIGHT
     With her parents sound asleep in their seats, the young GIRL has a chance to look around the darkened train car. While most everybody is asleep, she spots a WOMAN whispering softly to something inside of an old fashioned HAT BOX. Curious, the child goes over to her.
4. Feature film treatment: On one double-spaced page for a film you might wish to write, direct or produce based on your application concentration. The treatment must concisely relate a complete dramatic story sufficient to sustain a feature-length film, including major characters and plot developments and a clear statement of the resolution. The story cannot be the same as the one in your dramatic writing sample or your optional video submission. You must state the genre of your treatment and a log line. On a separate page, please state the genre, major characters and a log line for the film. A log line is one or two sentences that describe the protagonist(s) and the story of the film.
5. Visual Submission (not required, but strongly recommended for those who plan to concentrate in Directing):
   • Film/video work: All Film MFA applicants may submit up to 30 minutes of film/video work. This material should be uploaded to the Video Upload section of the online application. It is advisable to put the best work at the beginning of your visual submission.
   • Visual exercise: Applicants for Directing who have not shot prior visual material are encouraged to shoot and submit the following OPTIONAL VISUAL EXERCISE: Write and shoot a 2-person SILENT SCENE (no dialogue), between one and two minutes long, which deals with the idea of "COMING TOGETHER." It could be two strangers who make a connection, a fighting couple who then make amends, or two people who 'come together' in anger, physicality or any other dramatic situation you choose.
     You may use subjects of any genders or ages, and any locations and props, etc. that you have available to you. Elaborate production expense is NOT the goal of this part of the application.
     • You may shoot on any format.
     • Your visual submission should be uploaded to the Video Upload section of the online application and cannot be linked to a third-party such as YouTube or Vimeo.

FilmSchool.org admitted student perspective​

Filmschool.org member@cms9607 says:

“Columbia's application was [interesting] compared to the other schools, because it felt like the most bare bones. The other applications required varying degrees of extra [materials] outside of writing prompts. Columbia's… seemed more focused on just the writing. That made me worried, at first. I thought I needed all the extra fluff to make me look like a better candidate. In the end, I think it was my style in writing that got me admitted.”

Read more about their background and application.

Ready to apply?​

Click here to start your application.

As the newest graduate film program at Columbia University School of the Arts, the Writing for Film & Television MFA prepares talented storytellers to develop their voice, understand the broad impact of the stories they tell, and prepare for a career in screenwriting and teleplay writing. The program welcomes writers across all backgrounds, but looks for a strong passion for the craft in the portfolio.

Students spend three years learning how to construct character-based narratives in long-form scripts under talented faculty, including screenwriter Andy Bienen (Boys Don’t Cry), Peabody Award-winning screenwriter Trey Ellis (The Tuskegee Airmen, Good Fences), and Academy Award nominated screenwriter and concentration head Christina Lazaridi (One Day Crossing, Nobody’s Watching). Students graduate with a mastery of all the must-have elements for exceptional storytelling and a portfolio of ready-to-pitch content.

The program is ideal for students solely interested in writing for television, film, and emerging digital media. Students who are equally interested in how stories are translated into films can also apply to the Screenwriting & Directing MFA.

Take a look at the year-over-year program breakdown:

Year 1​

Spring—Fall​

In the fall, students begin chipping away at Columbia’s Core Curriculum. These courses are taken by all film MFA program students and explore the essential elements of directing, narrative storytelling, and production:

• Directing I
• Directing Actors I
• Elements of Dramatic Narrative
• Ethics & Inclusive Storytelling
• Fundamentals of Directing
• Practical Production I
• Screenwriting I

The spring curriculum builds upon filmmaking and storytelling principles mastered in the fall semester in the following courses:

• Directing II
• Directing Actors II
• Practical Production II
• Role of the Producer
• Screenwriting II
• Script to Screen
• Secrets of the Short
• Analysis of Film Language (recommended)
  Intro to Pilot

Summer​

Students complete an 8-12 minute film production.

Film & Media Studies (FMS) requirement​

All students must take at least one course in Film & Media Studies (“FMS”) that count toward the 60 credits required for graduation. To get a teaching assistantship, film students should take more than one FMS course for graduate students:

• Analysis of Film Language
• Black Film & Media
• Blockbuster Cinema
• Cinema History 1: beginnings to 1930
• Cinema History 2: 1930 - 60
• Cinema History 3: 1960 - 90
• Cinema History 4: after 1990
• Cinephilia: Theory and Practice of the Moving Image
• Cult Cinema
• Documentary Tradition
• Film and Media Theory
• Film Comedy
• Media Archaeology
• The Mind Game Film
• The Moving Image in the Museum
• New Media Art
• Queer Film Theory
• Reality Television
• Seeing Narrative
• Sound and Image Theory
• The Western
• Topics in World Cinema (Latin America, China, Arab and African)

Year 2​

Students must take two required courses:

• Screenwriting III*
• Screenwriting IV*

(*Note: Screenwriting III/IV is a year-long course taught by the same instructor.)

Students also have priority for the following courses, which are required for those who plan to do television writing for their thesis:

• Thesis Workshop
• TV Writing: Pilot

Students may also take elective courses in directing and producing, such as:

• Adaptation
• Advanced Pilot
• Business of Television
• Digital Storytelling I: History and Theory of Interactivity
• Digital Storytelling II: Building Storyworlds
• Intro to Cinematography
• First Features
• Fundamentals of Editing
• Playwriting
• Story Structure
• Visual Experiences

In preparation of the Research Arts years, students must declare their concentration toward the end of the second year and complete the 60 credits required to graduate.

Unlike the Creative Producing MFA and Screenwriting & Directing MFA, the Writing for Film & Television MFA does not participate in the year 2 summer core curriculum, which focuses on the D4 short film project.

Years 3-5 (Research Arts)​

Years 3-5 are devoted to the thesis, also known as the Research Arts years. Writing for Film & Television MFA students must take two required courses:

• Script Revision
• TV Revision

Students are also encouraged to attend thesis development and preparation workshops and master classes led by guest filmmakers and other industry experts. Master classes discuss directing for television, directing your first feature, writing and directing comedies, strengthening your pitches, advanced editing techniques, film scoring, and more.

How to apply​

All applicants must submit the following in 12-point Courier font:

1. Autobiographical Essay: Three to four double-spaced pages. Please tell the Admissions Comittee the story of one or two experiences in your life that affected you strongly and shaped you as a writer. How did these experiences inspire you to become a visual storyteller? Be sure to use specific details.
2. Dramatic Writing Sample: Please submit a short sample of your original screenplay or teleplay writing up to ten pages in length. The University prefers that you submit a 'complete' short script that has action and dialogue, more than one character, and a beginning, middle and end. However, you are also welcome to submit up to ten pages from a longer script that you have written as long as you also provide us with a logline and brief synopsis.
3. Film Prompt: Read the following openings, choose one and imagine the scene that might follow it. The scene you write must include both dialogue and description. It should be no less than two and no more than three pages long. You may change the gender of any character in these prompts, but do not change ages or relationships. Must be in screenplay format. (The prompts listed below correspond to the Fall 2025 application):
   • EXT. CITY STREET - DAY
     On a bustling city street, the MAN stops, begins setting up a tall metal stand, then places a MICROPHONE atop it. Tapping it, he produces a loud sound that gets everyone's attention— including the PERSON in an adjacent office window. Then he makes his announcement.
   • INT. APARTMENT - MIDNIGHT
     While everybody at the party counts down the seconds to the approaching New Year, the WOMAN watches one particular GUEST sneaking out of the apartment unnoticed. Suddenly panicked, she grabs her coat, exits and races downstairs to the street - practically toppling over the person she’d intended to follow.
   • INT. TRAIN - NIGHT
     With her parents sound asleep in their seats, the young GIRL has a chance to look around the darkened train car. While most everybody is asleep, she spots a WOMAN whispering softly to something inside of an old fashioned HAT BOX. Curious, the child goes over to her.
4. Feature Film Treatment: On one double-spaced page for a film you might wish to write, direct or produce based on your application concentration. The treatment must concisely relate a complete dramatic story sufficient to sustain a feature-length film, including major characters and plot developments and a clear statement of the resolution. The story cannot be the same as the one in your dramatic writing sample or your optional video submission. You must state the genre of your treatment and a log line. On a separate page, please state the genre, major characters and a log line for the film. A log line is one or two sentences that describe the protagonist(s) and the story of the film.
5. Visual Submission (optional): You are welcome to upload a visual sample (10 minutes or less) if you feel it showcases your ability as a writer.

Filmschool.org admitted student perspective​

Filmschool.org member @AlexJoseph says:

"Overall, I had fun with the writing prompts. They want to see your demonstration of your creativity and your own voice, so my advice is to not hold back and have as much fun as you can with your essays and short scripts. You have nothing to lose."

Read more about their application, including their thoughts about the interview.

Ready to apply?​

Click here to start your application.

The Creative Producing MFA at Columbia University School of the Arts gives students a foothold into producing for small- and large-budget productions, a deep awareness of the evolution of the film marketplace, and a mix of creative insight and business acumen. Faculty include producers in film, television, and digital media. The head of Creative Producing is associate professor Mynette Louie, a Spirit Award-winning, Critics Choice-nominated producer (Black Box, Catch the Fair One).

Creative Producing MFA students share a first-year common curriculum with Writing for Film & Television and Screenwriting & Directing concentrations, preparing students to grow their professional network and gain exposure to other dimensions of filmmaking.

Take a look at the year-by-year program breakdown:

Year 1​

Spring—Fall​

In the fall, students begin chipping away at Columbia’s Core Curriculum. These courses are taken by all film MFA program students and explore the essential elements of directing, narrative storytelling, and production:

• Directing I
• Directing Actors I
• Fundamentals of Directing
• Elements of Dramatic Narrative
• Ethics & Inclusive Storytelling
• Practical Production I
• Screenwriting I

In the spring, students take the following courses:

• Directing II
• Directing Actors II
• Practical Production II
• Role of the Producer
• Screenwriting II
• Script to Screen
• Analysis of Film Language (recommended)

Summer​

Students complete an 8-12 minute film production.

History-Theory-Criticism (HTC) Requirement​

Students must take at least one course in Film Studies (generally referred to within the School as “HTC,” an abbreviation for History-Theory-Criticism) within the 60 credits required for the degree. Students planning to apply for teaching assistant positions should take more than one HTC course.

A representative list of HTC courses includes but is not limited to the following. The asterisked courses are specifically recommended for MFA students but any of these courses fulfills the HTC requirement:

• Analysis of Film Language
• Cinema History 1: beginnings to 1930
• Cinema History 2: 1930 - 60
• Cinema History 3: 1960 - 90
• Cinema History 4: after 1990
• Cinephilia: Theory and Practice of the Moving Image
• Documentary Tradition
• Film and Media Theory
• The Moving Image in the Museum
• Seeing Narrative
• Sound and Image Theory
• Topics in American Film (Horror, Comedy, Cult, Western, etc)
• Topics in World Cinema (Latin America, China, Arab and African)

Year 2​

Fall-spring​

Creative Producing students must take the following courses:

• The Business of Film
• Feature Film Development
• Feature Film Financing
• Post-Production Supervising
• Pre-Production of the Motion Picture
• Writing and Script Analysis for Producers

Electives include:

• The Business of Television
• Digital Storytelling I: History and Theory of Interactivity
• Digital Storytelling II: Building Storyworlds
• Digital Storytelling IV: World-Building
• Documentary Producing
• Entertainment Law
• Film Festivals: Theory & Practice
• First Features
• Visual Experiences
• Writing for the Screen

Summer​

Students collaborate on the D4 film, an ambitious short film directed by a Columbia SOA Directing student.

Years 3-5 (Research Arts)​

Years 3-5 are devoted to the thesis, also known as the Research Arts years. Creative Producing MFA students must take the following required course:

• Producing Thesis Advisement

Elective courses include:

• Digital Storytelling 3: Immersive Production
• How to Start Your Own Production Company
• Writing for the Screen – Research Arts

How to apply​

ALL applicants MUST submit the following in 12-point Courier font:

1. Autobiographical essay: Four to six double-spaced pages. Tell the Admissions Committee something about yourself and your background, artistic experiences, creative influences, and professional objectives.
2. Dramatic Writing Sample: A log line must be included. No more than 10 pages. Must be in screenplay format and must contain dialogue. This can be a complete short screenplay or the first ten pages of a screenplay. It must be original; it may not be an adaptation, except of your own work in another form. Please do not submit writing in prose form and no theatre plays. The story cannot be the same as the one in your feature film treatment or your optional video submission.
3. Film prompt: Read the following openings, choose one and imagine the scene that might follow it. The scene you write must include both dialogue and description. It should be no less than two and no more than three pages long. It should be written in screenplay format. These prompts change every year. (The prompts listed below correspond to the Fall 2025 application):
   • EXT. CITY STREET - DAY
     On a bustling city street, the MAN stops, begins setting up a tall metal stand, then places a MICROPHONE atop it. Tapping it, he produces a loud sound that gets everyone's attention— including the PERSON in an adjacent office window. Then he makes his announcement.
   • INT. APARTMENT - MIDNIGHT
     While everybody at the party counts down the seconds to the approaching New Year, the WOMAN watches one particular GUEST sneaking out of the apartment unnoticed. Suddenly panicked, she grabs her coat, exits and races downstairs to the street - practically toppling over the person she’d intended to follow.
   • INT. TRAIN - NIGHT
     With her parents sound asleep in their seats, the young GIRL has a chance to look around the darkened train car. While most everybody is asleep, she spots a WOMAN whispering softly to something inside of an old fashioned HAT BOX. Curious, the child goes over to her.
4. Feature film treatment: On one double-spaced page for a film you might wish to write, direct or produce based on your application concentration(depending upon the concentration you will be applying to). The treatment must concisely relate a complete dramatic story sufficient to sustain a feature-length film, including major characters and plot developments and a clear statement of the resolution. The story cannot be the same as the one in your dramatic writing sample or your optional video submission. You must state the genre of your treatment and a log line. A log line is one or two sentences that describe the protagonist(s) and the story of the film.
5. Visual Submission (optional). Your visual submission should be uploaded to the Video Upload section of the online application and cannot be linked to a third-party such as YouTube or Vimeo. Submit one of the following:
   1. Film/Video Work: All Film MFA applicants may submit up to 30 minutes of film/video work. It is advisable to put the best work at the beginning of your visual submission.
6. Resume: Creative Producing applicants must summarize their professional and academic achievements in an easy-to-read resume.

Filmschool.org admitted student perspective​

Filmschool.org member @thep2k2 says:

"Columbia was my strongest application and my favorite from the start. My two page script was based off of a conversation I had had at my Uncle’s wedding and the first ten pages of screenplay were based on a Western I wrote with my screenwriting friend from Chapman."

Learn more about their academic background.

Ready to apply?​

Click here to start your application.

Columbia University School of the Arts is highly diverse: In Fall 2022, international students from 53 countries comprised 31 percent of the student body. Before you apply, read this addendum about funding from the School of the Arts Admissions Office:

1. Funding for international students is limited. International applicants must have a plan for funding for the duration of their intended degree programs, including miscellaneous expenses and the cost of living. Proof of funding is required for attendance. Institutional scholarships are available, but do not replace the personal funding plan requirement.
2. Monthly tuition payment plans are available to offset the cost of attendance. Find out how to enroll.
3. To maintain full-time enrollment and retain the student visa, international students must not exceed an outstanding student account balance of $999.

How to apply​

Columbia University uses the same holistic admissions process for international applicants. Admissions officers review applications by region and . Columbia College and the School of the Arts each have unique admissions criteria for international students:

Undergraduate applicants​

International undergraduate applicants share the general admissions requirement and creative materials requirement with domestic students. Prepare to submit the following supplemental materials:

• Proof of English language proficiency —Undergraduate international applicants must show mastery of English with one of the following:
  • Your home language is English.
  • Your primary language of instruction at school has been English for the duration of your secondary school career.
  • You earned one or more of the following subsection scores on the SAT or ACT:
    • 700 or higher on the Evidence Based Reading and Writing section of the SAT (either paper or digital administration)
    • 29 or higher on the English or Reading sections of the ACT

If you do not meet the English language proficiency requirements, you must take one of the following tests (plus minimum required scores):

• TOEFL (iBT only): 105
• IELTS: 7.5
• Duolingo English Test (DET): 135
• Cambridge English (C1 Advanced, C2 Proficiency): 191

Click here to review the guidelines for international undergraduate applicants.

Graduate applicants​

International graduate applicants share the general admissions requirement and creative materials requirement with domestic students. Prepare to submit the following supplemental materials:

• Unofficial transcripts from all institutions of higher education (must be translated into English).
• Proof of English proficiency — English language proficiency test scores must be sent to Columbia University School of the Arts Graduate Admission and meet the minimum required scores:
  • TOEFL: 100 (Internet-based) or 600 (paper-based)
  • IELTS: 7.5
  • Duolingo: 120
    • Alternatively, applicants can send proof of a bachelor's degree from an institution with English as its main language of instruction.

Applicants who are attending or have attended Chinese institutions of higher education must contact CHESICC to request the submission of a Verification Report of China Higher Education Student’s Academic Transcript and a Verification Report of China Higher Education Qualification Certificate. These reports must be submitted to soaadmissions@columbia.edu in advance of the application deadline.

International applicants from other regions who cannot supply digital copies of their transcripts must contact the World Education Services (WES) and order a Course-by-Course Evaluation and International Credential Advantage Package. These documents must be sent to soaadmissions@columbia.edu in advance of the application deadline.

If accepted, international graduate applicants must also obtain an F1 or comparable student visa. Columbia University supplies guidelines to obtain the student visa; students from certain regions may have limited work-study opportunities.

Click here to review the application guidelines for international graduate applicants.

Note: U.S. citizens and eligible non-U.S. residents studying in another country at the time of the application are not considered international students.

Each year, Columbia University School of the Arts hosts the Columbia University Film Festival (CUFF), an eight-day celebration of thesis projects during the spring semester. The festival takes place in New York and Los Angeles and helps students and alumni connect with directors, producers, casting agents, and other critical industry players.

There are two award categories: Film and Script. CUFF presents over a dozen named awards, including the Zaki Gordon Memorial Award for Excellence in Screenwriting—won by Patrick Clement (MFA’20) in 2021. (Discover more about Patrick’s experience attending Columbia University in his interview with FilmSchool.org).

Alumni and faculty filmmakers are also regularly selected for prestigious external award shows, such as the Telluride Film Festival and Venice International Film Festival.

Columbia University is ideal for filmmakers with a desire for a hands-on, collaborative learning experience in one of the most desirable cities for independent filmmakers and creators who aspire to take over film sets in Hollywood. Give yourself a competitive edge by becoming a Supporting Member to receive unlimited access to 4,000+ applications in the Application Database, plus exclusive interviews with top film school admissions departments, filmmakers, and film students.

Filmschool.org's free forums can also help you apply to Columbia University. If you need advice about creating your application, post in the Application Questions forum or The Waiting Game forum. Visit the Application Year Threads (MA/MFA or BA/BS) forum to see past year's Columbia University threads and/or start or reply to a new one to connect with other aspiring film students.

Browse Filmschool.org's archive of past Columbia University applications in our Application Database. For additional information, contact:

• Soaadmissions@columbia.edu – for general inquiries
• ugrad-finaid@columbia.edu – for undergraduate-related financial aid
• housing@columbia.edu – housing questions
• ssc@columbia.edu – fees, tuition, and other expenses for graduate students

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Once you apply, log your application in our Application Database to help the site with our acceptance data for the program. Logging your application helps our members see actual notification dates, accepted GPAs, test scores, and other important data. Your contributions are a great help to fellow (and future) Columbia applicants.

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At Filmschool.org, we aim to help you choose the best film school for you, simplify the application process, and navigate getting scholarships and financial aid. By learning about what your life will look like during and after film school, you can apply to your programs of choice and enter the industry with confidence. Supporting Memberships allow us to carry out our mission without undue influence from these film schools and keep our content as unbiased as possible.