Columbia University: How to Apply for 2026, Acceptance Rate, and What To Expect as a Columbia SOA Film Student

Columbia University’s School of the Arts film program is widely regarded as an elite hub for storytellers. With MFA concentrations in Screenwriting & Directing, Creative Producing, and Writing for Film & Television, and a BA in Film & Media Studies for undergraduates, Columbia combines rigorous narrative training with direct access to New York City's film industry.

In 2025, The Hollywood Reporter ranked Columbia No. 8 on its list of the 25 best U.S. film schools, noting its Ivy League prestige, strong industry connections, and noteworthy faculty, such as Minhal Baig and Elizabeth Ramírez‑Soto. In recent years, undergraduate alumni have contributed to outstanding films and televisions series, from “Women Talking” (Academy Award nominee for Best Picture) to “Last Week Tonight with John Oliver.”

Undergraduate regular decision applications are due January 1, 2026 and graduate applications due December 9, 2025. Before you apply, read this guide to learn about Columbia University and review the creative requirements, deadlines, the cost of attendance, and more key information.

What is it like studying film at Columbia University School of the Arts?​

Located on the upper west side of Manhattan at 116th and Broadway, Columbia is widely considered one of the most scenic urban universities in the nation. The University's historic residence halls are surrounded by greenery, including the South Lawns and Morningside Park. The University is in one of the most multicultural cities in the country, and its student body is just as diverse: In fall 2025, students from 58 countries made up 32% of the film community, highlighting Columbia's international reach.

Students shoot on the Canon C200, Panasonic AU-EVA1, and Sony FS5 and have a variety of light packages. ARRI cameras are available for advanced film shoots. The Columbia Casting database connects students with talented and trustworthy actors. Additionally, the Digital Media Center assists graduate film students with their coursework. Film students are well-connected to New York's entertainment industry, including major American broadcast networks and popular cable channels, from HBO to Comedy Central, along with dozens of independent studios.

Columbia film students can enjoy an unlimited number of film screenings off-campus, including the Metropolitan Museum of Art's film series, Tribeca Film Festival, and Brooklyn Film Festival. Manhattan's historic Quad Theater and the Lincoln Center also regularly screen films.

FilmSchool.org's exclusive two-part interview with Columbia University's Admissions and Industry Outreach departments offers deeper insights into the historic Ivy. Read the interview to discover what the Office of Admissions looks for in a stellar applicant, common application mistakes to avoid, and how to excel as a Columbia film student:


For an inside look at life after Columbia University's film MFA program, read FilmSchool.org's interview with alumnus Seabold Krebs (AKA Patrick Clement), who reflects on writing and directing his psychological thriller, "Bury Me When I'm Dead:"

Plus, don't miss FilmSchool.org's interview with Columbia University alumnus @Zeno, who discusses his experiences with filmmaking, navigating the festival circuit, and coaching film students:


You can also ask current Columbia film students general questions by emailing askastudent@columbia.edu.

Renowned Columbia University film program alumni ​

Columbia University alumni dominate the Academy Awards, the Emmy Awards, the Peabody Awards, and other historic film awards.

Kathryn Bigelow (MFA, ‘79) became the first woman to win the Academy Award for Best Director for "The Hurt Locker."

Lisa Cholodenko (MFA, ‘97) wrote and directed "Olive Kitteridge" and received an Emmy for Outstanding Directing for a Limited Series. Most recently, she directed the Hulu limited series "The Girl from Plainville."

Anna Winger (BA, ‘93) created and wrote the Netflix limited series "Unorthodox." In 2021, Winger entered a partnership with the streaming service.

10 commonly asked questions about Columbia University​

1. What makes Columbia University School of the Arts exceptional? ​

Columbia trains students to become filmmakers by infusing its curriculum with producing, writing, directing, film theory, and navigating the business side of the industry. Students benefit from the University's impressive alumni network, award-winning instructors, vibrant urban location, and emphasis on storytelling.

FilmSchool.org spoke with Tal Lazar, who taught at Columbia University School of the Arts, to learn more about how the Ivy's curriculum and atmosphere compare to other top film schools, including the AFI Conservatory. Part 1 of Lazar's interview is available here:

2. Is Columbia University test optional? ​

Yes. Both undergraduate and graduate film programs remain test-optional for 2026 entry.

3. What is the average GPA of Columbia University applicants? ​

There is no minimum GPA requirement for admission. However, the average Columbia student has a minimum 3.91 GPA, according to Campusreel.org.

FilmSchool.org's Application Database includes the GPAs of Columbia applicants who are waitlisted, accepted, or rejected, along with other data points that can help you determine your chances of acceptance and fine-tune your application.

4. Can I apply to more than one Columbia MFA film program?​

Yes. You can apply to two or more MFA film programs per cycle by submitting separate applications with an additional fee.

5. How important is the film portfolio? ​

Columbia uses a holistic admissions process, considering every part of your application. Each requirement is a chance to show the Office of Admissions why you’re a strong fit for the BA or MFA program. Taking into account how Columbia remains one of the most competitive universities nationwide, your portfolio should clearly highlight your passion for film, your storytelling talents, and your artistic vision.

6. Do all applicants need to attend an interview?​

Undergraduate film does not require an interview for admission; optional interviews may be given depending on how many volunteers are available.

Graduate film requires an interview for admission. To learn how many FilmSchool.org members who were admitted after an interview, visit our Acceptance Statistics pages for the Screenwriting & Directing (MFA) and the Creative Producing (MFA).

7. In what ways does Columbia's film MFA program emphasize collaboration?​

Both Columbia MFA film degrees frequently collaborate, notably on the 8-12 minute film at the end of the second year of study that allows Creative Producing students to develop Directing students' best work. According to the Office of Admissions, this project has paved the way for film crews on major motion pictures such as "Boys Don’t Cry," "American Splendor," and "Monsoon Wedding."

8. Does Columbia allow film students to work part-time? ​

Part-time jobs on or off campus are permitted to offset the exceptionally high cost of living in New York City. However, the Office of Admissions advises MFA students to account for a heavy course load: classes run Monday to Friday and often last over 8 hours.

9. Is student housing available to all Columbia students?​

Columbia Housing offers undergraduate residence halls where film students have a safe and inclusive space to study and grow their network. The program guarantees housing to all undergraduates — excluding visiting students — who apply and plan to study full-time for up to four years. Freshmen are required to live on campus, excluding sororities. Eligible applicants can apply to receive special housing accommodations.

Graduate applicants do not have guaranteed housing. If admitted, they are encouraged to apply for dorm-style rooms and shared apartments through Columbia University Apartment Housing.

10. If I withdraw from Columbia's film program, can I reapply?​

If you withdraw, you can reapply for admission only if you have attended Columbia within the past five years. Request the application by contacting soaadmissions@columbia.edu. For more information, read about readmission for former students on Columbia's website.

Information sessions and campus tours​

Learn more about Columbia's film program in one of the following online sessions. You can also schedule a guided campus tour by going to the University Visitor's Center. To make an appointment with a School of the Arts admissions counselor, please email soaadmissions@columbia.edu.

Virtual tours are also available for the Morningside Heights Campus and the Manhattanville Campus. For questions or additional information, email the Office of Admissions at soaadmissions@columbia.edu.

Graduate Online Film Faculty FAQ​

Creative Producing
Thursday, December 4, 2025 at 6 p.m. ET
Click here to RSVP

Screenwriting & Directing and Writing for Film & Television
Tuesday, November 25, 2025 at 7 p.m. ET
Click here to RSVP

Undergraduate Academic Interest session​

Forum: Academic Interest - Humanities and the Arts
Friday, December 12, at 4:00 p.m. ET
Click here to RSVP

Editor's note: This article has been revised to reflect application instructions for 2026 entry.​

Continue reading...​

• Columbia University Acceptance Rate​

• Columbia University Cost of Attendance Financial Aid, and Scholarships for 2026 Entry​

• How to Apply to Columbia University's BA in Film and Media Studies for 2026 Entry​

• Columbia University General Admissions Requirements for Graduates for 2026 Entry​

• How to Apply to Columbia University's Screenwriting & Directing MFA for 2026 Entry​

• How to Apply to Columbia University's Writing for Film & Television MFA for 2026 Entry​

• How to Apply to Columbia University's Creative Producing MFA for 2026 Entry​

• Showcase your films at Columbia University Film Festival (CUFF)​

• How to Apply to Columbia University as an International Applicant​

• Columbia University Application Deadlines and What to Expect After Applying​

• Increase Your Chances of Acceptance to Columbia University​

• Read the full article​

Columbia is highly competitive. In recent years, the University admitted only 72 MFA students out of 800-plus applications. IvyCoach.com reports that in 2024, Columbia admitted 4.3% of undergraduate applicants.

FilmSchool.org members have historically reported higher acceptance rates in our Application Database, which contains detailed applicant demographics, lowest accepted GPAs and test scores, and other key data points that may help you refine your application. After you apply, be sure to log your application to help other students.









Rejected applicants are encouraged to reapply the following admissions cycle. Transcripts and letters of recommendation are retained for one calendar year and can only be repurposed once. All other materials, such as English proficiency scores, the online application, and creative materials, cannot be repurposed.

If you're rejected for three consecutive years, you cannot reapply the following admissions cycle.

Considering applying to Columbia to study film? Find out the application deadlines and admissions decision notification timeline based on our Application Database.

Undergraduate application deadlines and admissions timeline​

BA in Film and Media Studies

Early Decision

• Early Decision Application Deadline: November 1, 2025 at 11:59 p.m. ET
• QuestBridge National College Match applicants: November 1, 2025 at 11:59 p.m. ET
• Early Decision (Financial Aid Applications): November 15, 2025 at 11:59 p.m. ET
• Early Decision Admissions and Financial Aid Notifications: Mid-December 2024
• Early Decision Response Deadline: Early January 2025

Regular Decision

• Regular Decision Application Deadline: January 1, 2026 at 11:59 p.m. ET
• Regular Decision Financial Aid Applications: February 15, 2026 at 11:59 p.m. ET
• Regular Decision Admissions and Financial Aid Notifications: Late March 2026
• Regular Decisions Response Deadline: May 1, 2026 at 11:59 p.m. ET
• Enrollment Deferral Request Deadline: May 15, 2026 at 11:59 p.m. ET
• Final Transcript Deadline (for Incoming Students): Late June, 2026

Graduate application deadlines and admissions timeline​

Writing for Film & Television MFA

• Application Deadline: December 9, 2025 at 11:59 p.m. ET

Exclusive FilmSchool.org Data calculated from our database:

• Earliest/Latest Interview Notification Date: February 3 - 6
• Earliest/Latest Interview Date: February 13 - March 2
• Earliest/Latest Decision Notification Date: March 7 - March 23
• Earliest/Latest Admitted Off Waitlist Date: March 13 - June 16

Directing & Screenwriting MFA

• Application Deadline: December 9, 2025 at 11:59 p.m. ET

Exclusive FilmSchool.org Data calculated from our database:

• Earliest/Latest Interview Notification Date: January 31 - April 23
• Earliest/Latest Interview Date: February 5 - June 1
• Earliest/Latest Decision Notification Date: February 5 - April 7
• Earliest/Latest Admitted Off Waitlist Date: April 4

Creative Producing MFA

• Application Deadline: December 9, 2025 at 11:59 p.m. ET

Exclusive FilmSchool.org Data calculated from our database:

• Earliest/Latest Interview Notification Date: January 16 - February 10
• Earliest/Latest Interview Date: February 1 - March 17
• Earliest/Latest Decision Notification Date: February 11 - March 26
• Earliest/Latest Admitted Off Waitlist Date: April 29

What to expect after applying to Columbia University​

Columbia University sends admissions decisions via email and (occasionally) by mail. To update your email address and/or mailing address after you apply, email soaadmissions@columbia.edu with "Applicant Address Update" in the subject line.

Decision notifications are not sent during the months of March and April. In addition, the University does not offer critiques of application materials or feedback about admissions decisions. Waitlisted applicants will receive notifications as soon as spots become available, no later than the beginning of August 2026.

BA in Film and Media studies interviews are offered at random and not required for admission. If you are selected for an interview, you will meet with a volunteer on the Alumni Representative Committee.

If you are accepted, you must submit a non-refundable $800 deposit by check, credit card, or money order to Columbia University by the deadline in your admissions decision letter. The deposit must include your program name, concentration, and CU student ID. If the deposit is not postmarked or digitally submitted by the due date, Columbia will rescind your admissions offer. Deposit extensions must be arranged in advance of the deadline and are granted on case-by-case basis.

Admission deferrals​

Columbia University grants admission deferrals only in special circumstances. If you receive an admission deferral, the non-refundable $800 deposit will hold your spot until February 1, 2027. Financial aid and scholarships do not carry over to the following academic year.

Re-enrollment before the February 1, 2027 deadline requires an additional non-refundable $400 deposit.

Access Columbia's acceptance statistics and admitted applicant demographics​

Columbia consistently ranks among the best film schools, and its Ivy status makes admissions extremely competitive. To see how you measure up against other applicants, get a head start by becoming a Supporting Member. As a Supporting Member, you'll gain access to:

• Data about Columbia's waitlist
• The average financial aid package given to Columbia SOA students
• Applications from admitted, rejected, and waitlisted Columbia SOA students
• Admissions statistics for Columbia University's BA and MFA film degrees

Plus, browse admissions statistics and applications from other competitive film schools across the world.

Columbia's central location, Ivy status, impressive faculty, and history of producing top-notch filmmakers carries a hefty price tag. However, Columbia is tuition-free to all undergraduates with families that earn less than $150,000 per year. Half of all other incoming freshman receive an average grant of $76,265.

Keep reading to find out the cost attendance for undergraduates and graduates, how to get financial aid, funding for international students, and other funding opportunities.

Cost of undergraduate attendance (Fall 2025-Spring 2025)​

Academics

• Tuition (all students): $70,170

Fees

• On campus (first-year student): $4,010
• On campus (returning student): $3,280
• Off campus (returning student): $3,280
• Living with family: $3,280

Food

• On campus (first-year student): $6,780
• On campus (returning student): $7,100
• Off campus (returning student): $7,100
• Living with family: N/A

Housing

• On campus (first-year student): $11,900
• On campus (returning student): $13,222
• Off campus (returning student): $13,222
• Living with family: N/A

Books and Supplies

• On campus (first-year student): $1,282
• On campus (returning student): $1,282
• Off campus (returning student): $1,282
• Living with family: $1,282

Travel

• On campus (first-year student): Varies
• On campus (returning student): Varies
• Off campus (returning student): Varies
• Living with family: $0

Personal Expenses

• On campus (first-year student): $1,804
• On campus (returning student): $1,804
• Off campus (returning student): $1,804
• Living with family: $1,804

Transportation (Local)

• On campus (first-year student): $1,044
• On campus (returning student): $1,044
• Off campus (returning student): $1,044
• Living with family: $1,044

Total cost of attendance:

• On campus (first-year student): $96,990
• On campus (returning student): $97,902
• Off campus (returning student): $97,902
• Living with family: $84,782

Room and board and travel costs vary, but prospective students should keep in mind that the cost of living in New York City far exceeds the nationwide average. For more information, read about Student Financial Services.

Undergraduate applicants with families that earn less than $150,000 per year are not expected to contribute toward the cost of tuition. Additionally, freshmen applicants from low-income families receive a $2,000 start-up grant to streamline transitioning into college.

Undergraduate financial aid eligibility requirements​

The undergraduate financial aid process requires the following steps:

1. Submit the FAFSA by the deadline: The application for federal financial aid opens on October 1, 2025. Use school code 002707 and submit the FAFSA by February 15, 2026 at 11:59 p.m. ET.
2. Make your CSS profile: To obtain institutional aid, including the Columbia University Grant, make your CSS profile starting October 1, 2025.
3. Provide tax documentation: Upload tax documents for you and your parents (or step-parents or guardians) to determine eligibility for the Columbia Grant.
4. Complete the Outside Scholarship and External Payment Form: Upload this form if you need more than Columbia’s institutional aid.

Columbia encourages prospective students to use its estimated affordability calculator. Undergraduate applicants who expect they will need additional funds after they receive their financial aid package can file an appeal.

Transfer students are not eligible for scholarships offered through Columbia, but are encouraged to seek third-party scholarships and federal aid.

​

Cost of graduate attendance (Fall 2025-Spring 2026)​

Academics

First- and Second-Year Students

• Tuition: $77,840
• Career Services fee: $170
• Student Activity fee: $110
• University Services and Support fee: $1,236
• Health Services fee: $1,446
• Medical Insurance: $5,367

Third- and Fourth-Year Students (Research Arts)

• Tuition: $6,436
• Film MFA Thesis Fee: $5,536
• Career Services Fee: $170
• Student Activity Fee: $110
• University Services and Support Fee: $1,236
• Health Service Fee: $1,446
• Medical Insurance*: $5,367

Cost of Living for All Students

• Housing: $15,624
• Food: $7,192
• Transportation: $1,323
• Personal expenses: $3,510
• Books and supplies: $1,250

Total cost of attendance for first- and second-year students: $115,068
Estimated cost of attendance for Research Arts year: $49,200

Living expenses are rough estimates and vary by semester. The total cost of attendance does not reflect additional fees, such as lab fees of $30-$125 per course and late payment or registration fees of $150 or more. To help offset these costs, Columbia offers a limited number of two-year Teaching Assistantships that pay over $24,000.

FilmSchool.org's Application Database offers insights into the average financial aid award packages for MFA in Screenwriting & Directing students and MFA in Creative Producing Admissions Statistics students.

Domestic graduate students can request a waiver for the Columbia Student Health Insurance plan. The request must be submitted at the beginning of the academic year along with proof of coverage.

International graduate students must be insured by Columbia University’s health plan, unless they provide proof of coverage through a U.S.-based, employer-sponsored, group health plan as a primary, spouse, or dependent. Learn more about Columbia University's health insurance plan.

Graduate financial aid eligibility requirements​

Financial aid is need-blind, meaning your financial background will not affect your admissions decision. Full-time students (12-18 credits per semester) have first priority for Columbia University School of the Arts scholarships. Students in their thesis year(s) are billed at the lower Research Arts rate and thus rarely receive institutional scholarships.

To apply for financial aid, follow these steps:

1. Choose the pull-down menu option in your School of the Arts MFA Application for Admission stating that you wish to be considered for institutional aid.
2. Complete the online School of the Arts Financial Aid Application by February 1, 2026 at 11:59 p.m. ET. This application will require federal tax returns and other documents that demonstrate financial need.
3. Fill out the Free Application for Federal Student Aid (FAFSA): In order to electronically sign your FAFSA, you will need an FSA ID. Use school code 002707 and submit the FAFSA by February 1, 2026 at 11:59 p.m. ET.

Institutional and federal aid are not awarded during the summer semester; graduate students must plan accordingly for the D4 film project and living expenses. Prepare in advance by reviewing the School of the Arts financial checklist.

Billing schedule for all students​

Undergraduate and graduate film students are billed online via the Columbia UNI account with Student Account Statements. The University supplies a link to billing statements for each term (also available at ssol.columbia.edu), and students can enroll in a monthly payment plan.

Fall billing is spread across four statements, spring billing across six statements, and summer billing across two statements. Bills not paid by the first deadline of the semester will incur a $150 late fee. Learn more about the billing schedule.

Funding for international students​

Columbia awards an average of $19 million in financial aid each year. International students are not eligible for federal student aid, so the University provides funding through institutional resources. The average award for international financial aid recipients is $66,350 most often in the form of a non-repayable Columbia grant and work-study.

International students who need supplementary aid may be eligible for loans from U.S. lenders. However, many of these loans require a credit-worthy U.S. resident or permanent non-U.S. resident as a co-signer. Learn more about qualifying for international student loans and the University's recommended lenders.

Federal Work-Study, scholarships, and graduate fellowships​

Financial aid is entirely need-based, so the University does not offer merit scholarships. A limited number of graduate students receive fellowships.

Columbia offers need-based Federal Work-Study (FWS) in the form of part-time employment. FWS positions include research roles and managing live events. To apply, you must meet these requirements:

• Be a United States citizens (or permanent non-resident)
• Complete the FAFSA for each year needed to receive aid

Film students have other options to offset costs not covered by the Columbia Grant or federal financial aid. New York State offers grants, scholarships, and loans to New York residents attending part-time or full-time degree programs. The University encourages applicants to explore their database of more than 2,000 outside scholarships. Additionally, some Columbia students have had success with the BAFTA scholarship.

The BA in Film and Media Studies at Columbia University School of the Arts teaches students how to become accomplished film scholars and artists. The program is offered through Columbia College, the School of General Studies, and Barnard College and open to newly instated sophomores who declare the Film Studies major. 12 courses (36 credits) are required to graduate.

Students analyze films, screenplays, and directing techniques to develop one short film or write an original screenplay. They also discover how to deconstruct the technological and cultural significance of a film and how to write stories imbued with meaning. Though the undergraduate film program has heavier theoretical focus, undergraduates gain hands-on experience through internships with film companies, assisting on Columbia graduate film projects, and the option to join Columbia Undergraduate Film Productions (CUFP), a student-led organization.

Undergraduate alumni pursue careers writing, directing, and producing films; they also work in film distribution, public relations, and film archival services. Take a look at the year-over-year program breakdown:

Year 1​

Undergraduates complete their general education courses through their college, in addition to the prerequisite course for the film major: Introduction to Film and Media Studies (FILM UN1000).

FILM UN1000 is offered at the start of each semester and examines film through the lens of aesthetics, history, theory, and criticism. Along with examining the evolution of Hollywood and how other artistic movements have shaped the industry, students learn how global warming and terrorism have impacted creating and distributing movies.

7 electives from the following list are required across two semesters:

• FILM UN2130: American Film: Comedy
• FILM UN2132: American Film: Cult ＆ Exploitation
• FILM UN2134: American Film: The Western
• FILM UN2136: American Film: Film Noir
• FILM UN2290: Topics in World Cinema: Arab and Africa
• FILM UN2292: Topics in World Cinema: China
• FILM UN2294: WORLD CINEMA: LATIN AMERICA
• FILM UN2310: THE DOCUMENTARY TRADITION
• FILM UN3010: AUTEUR STUDY
• FILM UN3013: Auteur Studies: Chantal Akerman’s Cinema, Writing and Moving Images
• FILM UN3910: Senior Seminar in Filmmaking
• FILM UN3925: NARRATIVE STRAT-SCREENWRITING
• FILM UN3950: SEMINAR IN MEDIA: SERIALITY
• FILM GU4020: Brazilian Cinema: Cinema Novo and Beyond
• FILM GU4294: World Cinema: Latin America
• FILM GU4320: New Directions in Film and Philosophy
• FILM GU4300: Black Film and Media
• FILM GU4310: EXPERIMENTAL FILM ＆ MEDIA
• FILM GU4910: Seeing Narrative
• FILM GU4940: QUEER CINEMA
• FILM GU4953: Reality Television

Upon successful completion of FILM UN1000 at the end of the first year, students can declare the Film and Studies major.

Years 2-3​

In the second and third years of study, undergraduates take Laboratories in Screenwriting (FILM UN2420), Fiction Filmmaking (FILM UN2510), and Nonfiction Filmmaking (FILM UN2520) to develop their portfolio. To graduate with honors, they must take the Senior Seminar in Film Studies (FILM UN3900), a course that requires a thesis project that demonstrates high-level proficiency in film criticism. A maximum of four screenwriting and filmmaking classes can be counted towards the major.

Year 4​

In their final year of study, students draw upon their theoretical, cultural, and historical understanding of film in the Senior Seminar in Filmmaking (FILM UN3910) capstone course, which culminates in the creation of a thesis film. Alternatively, the Senior Seminar in Screenwriting (FILM UN3920) gives students the opportunity to develop a 30-page screenplay.

How to apply​

Before you apply, check to see if your high school coursework meets Columbia's minimum requirements. Home schooled applicants have unique guidelines. Then, submit the following:

1. Columbia University undergraduate application: Complete the Common Application, Coalition Application, or the QuestBridge Application along with the non-refundable application fee of $85. (If the application fee is a financial burden, submit this form to request a fee waiver.) Each version of the application requires:
   • A personal essay
   • A list of your achievements and academic accolades
   • Employment history
   • Autobiographical information
2. Answer Columbia-specific questions in the Writing Supplement: The Writing Supplement gives the Committee on Admissions a better idea of how you currently contribute to your community and what you'll bring to the program. Explain why you are a good fit for Columbia by answering these questions from the website:
   • List a selection of texts, resources and outlets that have contributed to your intellectual development outside of academic courses, including but not limited to books, journals, websites, podcasts, essays, plays, presentations, videos, museums and other content that you enjoy. (100 words or fewer)
   • Tell us about an aspect of your life so far or your lived experience that is important to you, and describe how it has shaped the way you would learn from and contribute to Columbia's multidimensional and collaborative environment. (150 words or fewer)
   • At Columbia, students representing a wide range of perspectives are invited to live and learn together. In such a community, questions and debates naturally arise. Please describe a time when you did not agree with someone and discuss how you engaged with them and what you took away from the interaction. (150 words or fewer)
   • In college/university, students are often challenged in ways that they could not anticipate. Please describe a situation in which you have navigated through adversity and discuss how you changed as a result. (150 words or fewer)
   • Why are you interested in attending Columbia University? We encourage you to consider the aspect(s) that you find unique and compelling about Columbia. (150 words or fewer)
   • What attracts you to your preferred areas of study at Columbia College or Columbia Engineering? (150 words or fewer)
3. Secondary school profile: Provide official transcripts from all high schools attended, one high school counselor’s recommendation, your school profile, and one completed mid-year report.
4. Two letters of recommendation: Upload two letters of recommendation from two high school instructors who taught you in academic courses. Personal recommendations from friends and family members are not allowed.

If your application is delayed by a medical emergency or a natural disaster, email an extension request as soon as possible to ugrad-ask@columbia.edu. For more information about the undergraduate application process, read Columbia's FAQ page.

Ready to apply?​

Get started through the Common Application, Coalition on Scoir, or QuestBridge.

Before you apply to Columbia University School of the Arts for graduate film, take a look at the general application requirements:

1. Complete the application: Fill out the online application and submit the the non-refundable $110 application fee. To request a fee waiver, you must fall into one of the categories below and email proof of status to the Office of Admissions soaadmissions@columbia.edu:
   • Veteran of the U.S. armed forces
   • Foreign national who is externally or internally displaced with refugee status or who has received US asylum or submitted a US asylum application
   • Alumnus of AmeriCorps, Peace Corps, Teach for America, Higher Education Opportunity Program (HEOP) and Educational Opportunity Program (EOP).
   • Undergraduate Pell Grant Recipient
2. Upload transcripts: Graduate applicants must have a bachelor’s degree from an accredited undergraduate institution at the time they matriculate into Columbia University School of the Arts. Upload a scanned copy of your transcripts from the institution from which you received your bachelor's degree. Columbia only requires official transcripts after you are admitted; they must be sent by June 30, 2026 at 11:59 p.m. ET. Request that each institution you attended sends an electronic copy of your transcripts to Columbia School of the Arts at soaadmissions@columbia.edu.
   • If the institution you attended does not have electronic transcript delivery or a vendor for electronic delivery, write to soaadmissions@columbia.edu and include a link to the institution’s website that outlines its transcript orders and delivery. Columbia School of the Arts will reach out with more information.
   • International applicants have unique transcript requirements:
     
     • Unofficial and official transcripts must be translated into English.
     • If you attended a Chinese institution, contact CHESICC to arrange submission of a “Verification Report of China Higher Education Student’s Academic Transcript” and a “Verification Report of China Higher Education Qualification Certificate” (for those earning a degree in China) to the School of the Arts at soaadmissions@columbia.edu.
     • All other applicants who attended an international university must submit an electronic transcript, bearing that the institution offers secure online delivery. If the institution cannot send transcripts electronically, contact World Education Services (WES) and order a Course-by-Course Evaluation and International Credential Advantage Package to be sent to soaadmissions@columbia.edu.
3. Three letters of recommendation: Provide three letters of recommendation from collegiate academic instructors and professional contacts who can speak to your creative ability and potential. Personal references from friends and family are not allowed. After you input your recommenders’ contact information, they will receive an email with instructions on how to upload their letters.
   1. If you received a bachelor’s degree in the past 5 years, at least one letter of recommendation must come from an instructor at that institution.
   2. Letters of recommendation must be submitted via the online portal no later than one week after the application deadline. Letters submitted after this date may not be reviewed, and your application may therefore be disqualified.
4. Creative materials: Each MFA degree has unique portfolio requirements. Your creative materials must clearly state your name, date of birth, name of program to which you are applying, and title of the material (dramatic writing sample, autobiographical essay, etc). The School of the Arts does not provide portfolio or application material reviews. Learn about each MFA's requirements:
   • Screenwriting & Directing MFA
   • Writing for Film & Television MFA
   • Creative Producing MFA

​

Ready to apply?​

Click here to begin the graduate film application.

The Screenwriting & Directing MFA at Columbia University School of the Arts is a testament to how storytelling is at the heart of the film program. In three years, graduates learn how to tell compelling stories for film, television, and emerging digital media through intensive writing and directing projects across genres. Rigorous writing workshops help students develop and refine short- and long-form scripts under the guidance of industry experts.

The University encourages cross-disciplinary collaboration: Creative Producing MFA and Screenwriting & Directing MFA students share a common first year curriculum and second year electives. This curriculum helps students enter the industry with a diverse professional network and a deep understanding of the symbiotic relationship between writing and directing.

Take a look at the year-over-year program breakdown:

Year 1​

In the fall, students begin chipping away at Columbia’s Core Curriculum. These courses are taken by all film MFA program students and explore the essential elements of directing, narrative storytelling, and production:

• Directing I
• Directing Actors I
• Elements of Dramatic Narrative
• Ethics & Inclusive Storytelling
• Fundamentals of Directing
• Practical Production I
  Screenwriting I

In the spring, the curriculum builds on filmmaking and storytelling principles mastered in the fall semester by taking the following courses:

• Directing II
• Directing Actors II
• Practical Production II
• Role of the Producer
• Screenwriting II
• Script to Screen
• Secrets of the Short
• Analysis of Film Language (recommended)
  Intro to Pilot

Screenwriting & Directing students complete an 8-12 minute film production.

Year 2​

​

Spring—Fall​

In the fall, students choose to concentrate in screenwriting or directing. Screenwriting concentrations take these courses in fall and spring:

• Screenwriting III*
• Screenwriting IV*
• Fundamentals of Editing

(*Note: Screenwriting III/IV is a year-long course taught by the same instructor.)

Screenwriting concentrations have priority for the TV Writing: Pilot course. This course is required for students who plan to write for television for the thesis. They may also take elective courses in directing and producing.

Directing concentrations take the following courses in fall and spring:

• Directing III
• Directing IV
• Directing Actors III or IV
• Fundamentals of Editing

They may also take elective courses in screenwriting and/or TV writing, plus producing, such as TV Directing and First Features.

Summer​

Students collaborate on the D4 film, an ambitious short film directed by a Columbia SOA Directing student.

Years 3-5 (Research Arts)​

Years 3-5 are devoted to the thesis, also known as the Research Arts years. For-credit courses are no longer required. However, graduate students are encouraged to attend thesis development and preparation workshops and master classes led by guest filmmakers and other industry experts. Master classes discuss directing for television, directing your first feature, writing and directing comedies, strengthening your pitches, advanced editing techniques, film scoring, and more.

Screenwriting concentration

Students must take the following courses:

• Script Revision: For Screenwriting students in year 3 who focus on writing for many mediums
• TV Revision: For Screenwriting students who specifically focus on writing for television

Directing concentration

Students must take the following course:

• Directing Thesis Advisement

Screenwriting electives (for thesis students)

These electives are open to Directing students, but priority goes to Screenwriting students:

• Advanced Feature Writing
• Advanced Pilot Writing
• Advanced Screenplay Revision

How to apply​

Prepare to submit the following materials 12-point Courier font, exactly as outlined on Columbia University's website:

1. Autobiographical essay: Four to six double-spaced pages. (Tell us something about yourself, your artistic experiences, creative influences, and professional objectives.)
2. Dramatic Writing Sample: A log line must be included. No more than 10 pages. Must be in screenplay format and must contain dialogue. This can be a complete short screenplay or the first ten pages of a screenplay. It must be original; it may not be an adaptation, except of your own work in another form. Please do not submit writing in prose form and no theatre plays. The story cannot be the same as the one in your feature film treatment or your optional video submission.
3. Film prompt: Read the following openings, choose one and imagine the scene that might follow it. The scene you write must include both dialogue and description. It should be no less than two and no more than three pages long. It should be written in screenplay format. These prompts change every year. The prompts listed below correspond to the Fall 2026 application. You may change the gender of any character in these prompts, but do not change ages or relationships.
   • INT. APARTMENT BUILDING HALLWAY - NIGHT
     Hours after the incident, the Older Woman stands- still shaking her head- at the “CRIME SCENE TAPE” covering an open door in the hallway of her building. Her best friend clomps up the steps, joins her, and both can’t help themselves from peering inside.
   • INT. DEPARTMENT STORE - DAY
     As the Teenager scans the clothing racks for something to buy, he’s startled to see what looks like someone hastily stuffing merchandise into their backpack. He looks for a salesperson or a security guard- but just then, the person slips away. He follows.
   • EXT. AMUSEMENT PARK - NIGHT
     Alone in the open cabin of a ferris wheel, the Young Woman is frightened to hear the entire ride screech, then slow to a complete stop. Voices from below shout assurances that the problem will be fixed in a few minutes, but things get even worse when she turns to see the person sitting in the cabin hanging opposite her own.
4. Feature film treatment: On one double-spaced page for a film you might wish to write, direct or produce based on your application concentration. The treatment must concisely relate a complete dramatic story sufficient to sustain a feature-length film, including major characters and plot developments and a clear statement of the resolution. The story cannot be the same as the one in your dramatic writing sample or your optional video submission. You must state the genre of your treatment and a log line. On a separate page, please state the genre, major characters and a log line for the film. A log line is one or two sentences that describe the protagonist(s) and the story of the film.
5. Visual Submission (not required, but strongly suggested for Screenwriting & Directing Film Concentration applicants):
   • Film/Video Work: All Film MFA applicants may submit up to 30 minutes of film/video work. This material should be uploaded to the Video Upload section of the online application. It is advisable to put the best work at the beginning of your visual submission.
   • Visual Exercise: Applicants for Directing who have not shot prior visual material are encouraged to shoot and submit the following OPTIONAL VISUAL EXERCISE: Write and shoot a 2-person SILENT SCENE (no dialogue), between one and two minutes long, which deals with the idea of "COMING TOGETHER." It could be two strangers who make a connection, a fighting couple who then make amends, or two people who 'come together' in anger, physicality or any other dramatic situation you choose.
     • You may use subjects of any genders or ages, and any locations and props, etc. that you have available to you. Elaborate production expense is NOT the goal of this part of the application. You may shoot on any format.
     • Your visual submission should be uploaded to the Video Upload section of the online application and cannot be linked to a third-party such as YouTube or Vimeo.

FilmSchool.org admitted student perspective​

Filmschool.org member@cms9607 says:

“Columbia's application was [interesting] compared to the other schools, because it felt like the most bare bones. The other applications required varying degrees of extra [materials] outside of writing prompts. Columbia's… seemed more focused on just the writing. That made me worried, at first. I thought I needed all the extra fluff to make me look like a better candidate. In the end, I think it was my style in writing that got me admitted.”

Read more about their background and application.

Ready to apply?​

Click here to start your application.

As the newest graduate film program at Columbia University School of the Arts, the Writing for Film & Television MFA prepares talented storytellers to develop their voice, understand the broad impact of the stories they tell, and prepare for a career in screenwriting and teleplay writing. The program welcomes writers across all backgrounds, but looks for a strong passion for the craft in the portfolio.

Graduates spend three years learning how to construct character-based narratives in long-form scripts under talented faculty, including screenwriter Andy Bienen ("Boys Don’t Cry"), Peabody Award-winning screenwriter Trey Ellis ("The Tuskegee Airmen," "Good Fences"), and Academy Award-nominated screenwriter and concentration head Christina Lazaridi ("One Day Crossing," "Nobody’s Watching"). Instructors help students master all elements for exceptional storytelling to create a portfolio of ready-to-pitch content.

This degree program is ideal for students solely interested in writing for television, film, and emerging digital media. Graduates who are equally interested in directing should consider also applying to the Screenwriting & Directing MFA program. Columbia allows dual MFA applications, but each degree program requires an individual application and non-refundable $110 fee.

Take a look at the year-over-year program breakdown:

Year 1​

Spring—Fall​

In the fall, students begin chipping away at Columbia’s Core Curriculum. These courses are taken by all film MFA program students and explore the essential elements of directing, narrative storytelling, and production:

• Directing I
• Directing Actors I
• Elements of Dramatic Narrative
• Ethics & Inclusive Storytelling
• Fundamentals of Directing
• Practical Production I
• Screenwriting I

The spring curriculum builds upon filmmaking and storytelling principles mastered in the fall semester in the following courses:

• Directing II
• Directing Actors II
• Practical Production II
• Role of the Producer
• Screenwriting II
• Script to Screen
• Secrets of the Short
• Analysis of Film Language (recommended)
  Intro to Pilot

Summer​

Students complete an 8-12 minute film production.

Film & Media Studies (FMS) requirement​

All students must take at least one course in Film & Media Studies (“FMS”) that count toward the 60 credits required for graduation. To get a teaching assistantship, film students should take more than one FMS course for graduate students:

• Analysis of Film Language
• Black Film & Media
• Blockbuster Cinema
• Cinema History 1: beginnings to 1930
• Cinema History 2: 1930 - 60
• Cinema History 3: 1960 - 90
• Cinema History 4: after 1990
• Cinephilia: Theory and Practice of the Moving Image
• Cult Cinema
• Documentary Tradition
• Film and Media Theory
• Film Comedy
• Media Archaeology
• The Mind Game Film
• The Moving Image in the Museum
• New Media Art
• Queer Film Theory
• Reality Television
• Seeing Narrative
• Sound and Image Theory
• The Western
• Topics in World Cinema (Latin America, China, Arab and African)

Year 2​

Students must take two required courses:

• Screenwriting III*
• Screenwriting IV*

(*Screenwriting III/IV is a year-long course taught by the same instructor.)

Students also have priority for the following courses, which are required for those who plan to do television writing for their thesis:

• Thesis Workshop
• TV Writing: Pilot

Students may also take elective courses in directing and producing, such as:

• Adaptation
• Advanced Pilot
• Business of Television
• Digital Storytelling I: History and Theory of Interactivity
• Digital Storytelling II: Building Storyworlds
• Intro to Cinematography
• First Features
• Fundamentals of Editing
• Playwriting
• Story Structure
• Visual Experiences

In preparation of the Research Arts years, students must declare their concentration toward the end of the second year and complete the 60 credits required to graduate.

Unlike the Creative Producing MFA and Screenwriting & Directing MFA, the Writing for Film & Television MFA does not participate in the year 2 summer core curriculum, which focuses on the D4 short film project.

Years 3-5 (Research Arts)​

Years 3-5 are devoted to the thesis, also known as the Research Arts years. Writing for Film & Television MFA students must take two required courses:

• Script Revision
• TV Revision

Students are also encouraged to attend thesis development and preparation workshops and master classes led by guest filmmakers and other industry experts. Master classes discuss directing for television, directing your first feature, writing and directing comedies, strengthening your pitches, advanced editing techniques, film scoring, and more.

How to apply​

ALL applicants MUST submit the following in 12-point Courier font: as exactly outlined on Columbia's website:

1. Autobiographical Essay: Three to four double-spaced pages. Please tell us the story of one or two experiences in your life that affected you strongly and shaped you as a writer. How did these experiences inspire you to become a visual storyteller? Please be sure to use specific details.
2. Dramatic Writing Sample: Please submit a short sample of your original screenplay or teleplay writing up to ten pages in length. Our preference is that you submit a 'complete' short script that has action and dialogue, more than one character, and a beginning, middle and end. However, you are also welcome to submit up to ten pages from a longer script that you have written as long as you also provide us with a logline and brief synopsis.
3. Film Prompt: Read the following openings, choose one and imagine the scene that might follow it. The scene you write must include both dialogue and description. It should be no less than two and no more than three pages long. You may change the gender of any character in these prompts, but do not change ages or relationships. Must be in screenplay format. The prompts listed below correspond to the Fall 2026 application. You may change the gender of any character in these prompts, but do not change ages or relationships.
   • INT. APARTMENT BUILDING HALLWAY - NIGHT
     Hours after the incident, the Older Woman stands- still shaking her head- at the “CRIME SCENE TAPE” covering an open door in the hallway of her building. Her best friend clomps up the steps, joins her, and both can’t help themselves from peering inside.
   • INT. DEPARTMENT STORE - DAY
     As the Teenager scans the clothing racks for something to buy, he’s startled to see what looks like someone hastily stuffing merchandise into their backpack. He looks for a salesperson or a security guard- but just then, the person slips away. He follows.
   • EXT. AMUSEMENT PARK - NIGHT
     Alone in the open cabin of a ferris wheel, the Young Woman is frightened to hear the entire ride screech, then slow to a complete stop. Voices from below shout assurances that the problem will be fixed in a few minutes, but things get even worse when she turns to see the person sitting in the cabin hanging opposite her own.
4. Feature Film Treatment: On one double-spaced page for a film you might wish to write, direct or produce based on your application concentration. The treatment must concisely relate a complete dramatic story sufficient to sustain a feature-length film, including major characters and plot developments and a clear statement of the resolution. The story cannot be the same as the one in your dramatic writing sample or your optional video submission. You must state the genre of your treatment and a log line. On a separate page, please state the genre, major characters and a log line for the film. A log line is one or two sentences that describe the protagonist(s) and the story of the film.
5. Visual Submission (optional): You are welcome to upload a visual sample (10 minutes or less) if you feel it showcases your ability as a writer.

Filmschool.org admitted student perspective​

Filmschool.org member @AlexJoseph says:

"Overall, I had fun with the writing prompts. They want to see your demonstration of your creativity and your own voice, so my advice is to not hold back and have as much fun as you can with your essays and short scripts. You have nothing to lose."

Read more about their application and thoughts on the interview.

Ready to apply?​

Click here to start your application.

The Creative Producing MFA at Columbia University School of the Arts gives students a foothold into producing for small- and large-budget productions, a deep awareness of the evolution of the film marketplace, and a mix of creative insight and business acumen. Faculty include producers in film, television, and digital media. The head of Creative Producing is associate professor Mynette Louie, a Spirit Award-winning, Critics Choice-nominated producer ("Black Box," "Catch the Fair One").

Creative Producing MFA students share a first-year common curriculum with Writing for Film & Television and Screenwriting & Directing concentrations, preparing students to grow their professional network and gain exposure to other dimensions of filmmaking.

Take a look at the year-by-year program breakdown:

Year 1​

Spring—Fall​

In the fall, students begin chipping away at Columbia’s Core Curriculum. These courses are taken by all film MFA program students and explore the essential elements of directing, narrative storytelling, and production:

• Directing I
• Directing Actors I
• Fundamentals of Directing
• Elements of Dramatic Narrative
• Ethics & Inclusive Storytelling
• Practical Production I
• Screenwriting I

In the spring, students take the following courses:

• Directing II
• Directing Actors II
• Practical Production II
• Role of the Producer
• Screenwriting II
• Script to Screen
• Analysis of Film Language (recommended)

Summer​

Students complete an 8-12 minute film production.

History-Theory-Criticism (HTC) Requirement​

Students must take at least one course in Film Studies (generally referred to within the School as “HTC,” an abbreviation for History-Theory-Criticism) within the 60 credits required for the degree. Students planning to apply for teaching assistant positions should take more than one HTC course.

A representative list of HTC courses includes but is not limited to the following. The asterisked courses are specifically recommended for MFA students but any of these courses fulfills the HTC requirement:

• Analysis of Film Language
• Cinema History 1: beginnings to 1930
• Cinema History 2: 1930 - 60
• Cinema History 3: 1960 - 90
• Cinema History 4: after 1990
• Cinephilia: Theory and Practice of the Moving Image
• Documentary Tradition
• Film and Media Theory
• The Moving Image in the Museum
• Seeing Narrative
• Sound and Image Theory
• Topics in American Film (Horror, Comedy, Cult, Western, etc)
• Topics in World Cinema (Latin America, China, Arab and African)

Year 2​

Fall-spring​

Creative Producing students must take the following courses:

• The Business of Film
• Feature Film Development
• Feature Film Financing
• Post-Production Supervising
• Pre-Production of the Motion Picture
• Writing and Script Analysis for Producers

Electives include:

• The Business of Television
• Digital Storytelling I: History and Theory of Interactivity
• Digital Storytelling II: Building Storyworlds
• Digital Storytelling IV: World-Building
• Documentary Producing
• Entertainment Law
• Film Festivals: Theory & Practice
• First Features
• Visual Experiences
• Writing for the Screen

Summer​

Students collaborate on the D4 film, an ambitious short film directed by a Columbia SOA Directing student.

Years 3-5 (Research Arts)​

Years 3-5 are devoted to the thesis, also known as the Research Arts years. Creative Producing MFA students must take the following required course:

• Producing Thesis Advisement

Elective courses include:

• Digital Storytelling 3: Immersive Production
• How to Start Your Own Production Company
• Writing for the Screen – Research Arts

How to apply​

ALL applicants MUST submit the following in 12-point Courier font: as exactly outlined on Columbia's website:

1. Autobiographical essay: Four to six double-spaced pages. (Tell us something about yourself and your background, artistic experiences, creative influences, and professional objectives.)
2. Dramatic Writing Sample: A log line must be included. No more than 10 pages. Must be in screenplay format and must contain dialogue. This can be a complete short screenplay or the first ten pages of a screenplay. It must be original; it may not be an adaptation, except of your own work in another form. Please do not submit writing in prose form and no theatre plays. The story cannot be the same as the one in your feature film treatment or your optional video submission.
3. Film prompt: Read the following openings, choose one and imagine the scene that might follow it. The scene you write must include both dialogue and description. It should be no less than two and no more than three pages long. It should be written in screenplay format. These prompts change every year. The prompts listed below correspond to the Fall 2026 application. You may change the gender of any character in these prompts, but do not change ages or relationships.
   • INT. APARTMENT BUILDING HALLWAY - NIGHT
     Hours after the incident, the Older Woman stands- still shaking her head- at the “CRIME SCENE TAPE” covering an open door in the hallway of her building. Her best friend clomps up the steps, joins her, and both can’t help themselves from peering inside.
   • INT. DEPARTMENT STORE - DAY
     As the Teenager scans the clothing racks for something to buy, he’s startled to see what looks like someone hastily stuffing merchandise into their backpack. He looks for a salesperson or a security guard- but just then, the person slips away. He follows.
   • EXT. AMUSEMENT PARK - NIGHT
     Alone in the open cabin of a ferris wheel, the Young Woman is frightened to hear the entire ride screech, then slow to a complete stop. Voices from below shout assurances that the problem will be fixed in a few minutes, but things get even worse when she turns to see the person sitting in the cabin hanging opposite her own.
4. Feature film treatment: On one double-spaced page for a film you might wish to write, direct or produce based on your application concentration(depending upon the concentration you will be applying to). The treatment must concisely relate a complete dramatic story sufficient to sustain a feature-length film, including major characters and plot developments and a clear statement of the resolution. The story cannot be the same as the one in your dramatic writing sample or your optional video submission. You must state the genre of your treatment and a log line. A log line is one or two sentences that describe the protagonist(s) and the story of the film.
5. Visual Submission (optional):
   • Film/Video Work: All Film MFA applicants may submit up to 30 minutes of film/video work. It is advisable to put the best work at the beginning of your visual submission.
   • Visual Exercise: Applicants for Directing who have not shot prior visual material are encouraged to shoot and submit the following OPTIONAL VISUAL EXERCISE: Write and shoot a 2-person SILENT SCENE (no dialogue), between one and two minutes long, which deals with the idea of "COMING TOGETHER." It could be two strangers who make a connection, a fighting couple who then make amends, or two people who 'come together' in anger, physicality or any other dramatic situation you choose.
     • You may use subjects of any genders or ages, and any locations and props, etc. that you have available to you. Elaborate production expense is NOT the goal of this part of the application. You may shoot on any format.
     • Your visual submission should be uploaded to the Video Upload section of the online application and cannot be linked to a third-party such as YouTube or Vimeo.
6. Resume/CV: Creative Producing applicants must also submit a current resume/CV.

Filmschool.org admitted student perspective​

Filmschool.org member @thep2k2 says:

"Columbia was my strongest application and my favorite from the start. My two page script was based off of a conversation I had had at my Uncle’s wedding and the first ten pages of screenplay were based on a Western I wrote with my screenwriting friend from Chapman."

Learn more about their academic background.

Ready to apply?​

Click here to start your application.

New York City is one of the most diverse cities in the world. In Fall 2025, students from 58 countries made up 32 percent of Columbia's entire community, bringing diverse perspectives that enhance learning.

Read this addendum about funding from the School of the Arts Admissions Office:

1. Funding for international students is limited. International applicants must have a plan for funding for the duration of their intended degree programs, including miscellaneous expenses and the cost of living. Proof of funding is required for attendance. Institutional scholarships are available, but do not replace the personal funding plan requirement.
2. Monthly tuition payment plans are available to offset the cost of attendance. Find out how to enroll.
3. To maintain full-time enrollment and retain the student visa, international students must not exceed an outstanding student account balance of $999.

U.S. citizens and eligible non-U.S. residents studying in another country at the time of the application are not considered international students.

​

How to apply​

Requirements differ by applicant status. Take a look at how to apply as an international undergraduate or an international graduate:

Undergraduate applicants​

Undergraduate applicants must follow the same general admissions requirement and creative materials requirement with domestic students. In addition, you must submit the following materials:

• Proof of English language proficiency —Undergraduate international applicants must show mastery of English with one of the following:
  • Your home language is English.
  • Your primary language of instruction at school has been English for the duration of your secondary school career.
  • You earned one or more of the following subsection scores on the SAT or ACT:
    • 700 or higher on the Evidence Based Reading and Writing section of the SAT (either paper or digital administration)
    • 29 or higher on the English or Reading sections of the ACT

If you do not meet the English language proficiency requirements, you must take one of the following tests (plus minimum required scores):

• TOEFL (iBT only): 105
• IELTS: 7.5
• Duolingo English Test (DET): 135
• Cambridge English (C1 Advanced, C2 Proficiency): 191

Click here to review the guidelines for international undergraduate applicants.

Graduate applicants​

International graduate applicants share the general admissions requirement and creative materials requirement with domestic students. Prepare to submit the following supplemental materials:

• Unofficial transcripts from all institutions of higher education (must be translated into English).
• Proof of English proficiency — English language proficiency test scores must be sent to Columbia University School of the Arts Graduate Admission and meet the minimum required scores:
  • TOEFL: 100 (Internet-based) or 600 (paper-based)
  • IELTS: 7.5
  • Duolingo: 120
    • Alternatively, applicants can send proof of a bachelor's degree from an institution with English as its main language of instruction.

Applicants who are attending or have attended Chinese institutions of higher education must contact CHESICC to request the submission of a Verification Report of China Higher Education Student’s Academic Transcript and a Verification Report of China Higher Education Qualification Certificate. These reports must be submitted to soaadmissions@columbia.edu in advance of the application deadline.

International applicants from other regions who cannot supply digital copies of their transcripts must contact the World Education Services (WES) and order a Course-by-Course Evaluation and International Credential Advantage Package. These documents must be sent to soaadmissions@columbia.edu in advance of the application deadline.

If accepted, international graduate applicants must also obtain an F1 or comparable student visa. Columbia University supplies guidelines to obtain the student visa; students from certain regions may have limited work-study opportunities.

Click here to review Columbia's application guidelines for international graduate applicants.

Each year, Columbia University School of the Arts hosts the Columbia University Film Festival (CUFF), an eight-day celebration of thesis projects during the spring semester. The festival takes place in New York and Los Angeles and helps students and alumni connect with directors, producers, casting agents, and other critical industry players.

There are two award categories: Film and Script. CUFF presents over a dozen named awards, including the Zaki Gordon Memorial Award for Excellence in Screenwriting—won by Patrick Clement (MFA’20) in 2021. (Discover more about Patrick’s experience attending Columbia University in his interview with FilmSchool.org).

Alumni and faculty filmmakers are also regularly selected for prestigious external award shows, such as the Telluride Film Festival and Venice International Film Festival.

Columbia University is ideal for filmmakers with a desire for a collaborative and storytelling-driven learning experience in one of the most desirable cities for creators in the world. Give yourself a competitive edge by becoming a Supporting Member to receive unlimited access to 4,000+ applications in the Application Database, plus exclusive interviews with top film school admissions departments, filmmakers, and film students.

FilmSchool.org's free forums can also help you apply to Columbia University. If you need advice about creating your application, post in the Application Questions forum or The Waiting Game forum. Visit the Application Year Threads (MA/MFA or BA/BS) forum to see past year's Columbia University threads and/or start or reply to a new one to connect with other aspiring film students.

Browse FilmSchool.org's archive of Columbia University applications. For additional information, contact:

• Soaadmissions@columbia.edu – for general inquiries
• ugrad-finaid@columbia.edu – for undergraduate-related financial aid
• housing@columbia.edu – housing questions
• ssc@columbia.edu – fees, tuition, and other expenses for graduate students

​

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After you apply, log your application to help the site with our acceptance data for the program. Logging your application helps our members see actual notification dates, accepted GPAs, test scores, and other important data. Your contributions are a great help to fellow (and future) Columbia applicants.

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At FilmSchool.org, we aim to help you choose the best film school for you, simplify the application process, and navigate getting scholarships and financial aid. By learning about what your life will look like during and after film school, you can apply to your programs of choice and enter the industry with confidence. Supporting Memberships allow us to carry out our mission without undue influence from these film schools and keep our content as unbiased as possible.