LMU SFTV's State-of-the-Art Film Equipment and Technology

Take a look at LMU SFTV’s impressive selection of film equipment and technology broken down by department:

Camera Department


Digital Motion Picture Cameras
  • Arri Alexa Mini
  • RED One MX
  • Canon C300 MKI
  • Canon C100 MKII
  • Canon XF100

Film Motion Picture Cameras
  • Arri BL4s Super35
  • Arri SR2 Super16

Cinema Prime Lens Sets
  • Zeiss Ultra Primes
  • Zeiss Super Speeds
  • Zeiss CP2
  • Elite Super Speeds
  • Canon Cinema Primes

Cinema Zoom Lenses
  • Cooke 20-100mm
  • Angenieux EZ 15-40mm & 30-90mm
  • Canon 30-105mm
  • Zeiss 12-120mm

Lighting and Grip


LED Lighting
  • Arri Skypanels
  • Arri Interview Kits
  • Kino Flo Celeb
  • Kino Flo Diva - RGB
  • Mole Richardson - 1x1
  • Mole Richardson - Tungsten Balanced Fresnel Tweenie, Baby, Junior and Studio
  • Mole Richardson - Tungsten Balanced Softlight
  • Source 4

HMI Lighting
  • Joker Bug - 400W and 800W
  • 1.8 HMIs - Sunray
  • 1.2 HMIs - Arri and Mole Richardson
  • Digimole - 200W and 400W

Fresnel / Open-Faced / Fluorescent Lighting
  • Mole Richardson - Fresnels 650W - 20K
  • Mole Richardson - Open-Face/Par 750W - Maxibrute
  • Kino Flo - Diva
  • Kino Flo - 2Bank, 4Bank
  • Kino Flo Image - 45, 80 and 85
  • Source 4
  • Parcan
  • Coops
  • Space lights

Grip Support
  • Doorway Dollies
  • Western/Desert Dolly
  • Matthews 4ft Slider
  • Matthews Dutti Dolly
  • Dana dolly
  • Matthews Centipede Wheels
  • Traditional Stands, Hardware, Flags and more

Sound Equipment


Mixer/Recorders
  • Sound Devices 688
  • SoundDevices 644
  • Sound Devices MixPre3

Microphones
  • Schoeps CMIT-5U
  • Sennheiser MKH 50
  • Sennheiser 416

RF Kits
  • Lectrosonics L series
  • Wisycom ENG Kits

Timecode
  • Ambient Systems
  • Tentacle Sync E

Walter and Grace Lantz Animation Lab


As one of the first animation labs in the world to have virtual cinematography, LMU SFTV film students have access to:
  • 4,000+ square foot premiere studio designed by Gensler
  • Render farm—30 nodes rendering animation frames
  • Motion capture/stop motion stage with Natural Point OptiTrack system and LED lighting instruments

Editing Labs


LMU SFTV has two campuses equipped with editing labs that help film students transform footage or rough cuts into compelling, polished films:


Westchester Campus
  • Editing Computer Lab with 16 iMacs and 4K Side Monitors
  • Sound Editing Computer Lab with 18 Base Model iMacs
  • Multi-Purpose Computer Lab with 16 Base Model iMacs and a central conference table
  • Four editing suites with iMac Pros, Reference Monitors, 4K TVs, and Black Magic Micro-panel Coloring Surfaces
  • Four editing suites with iMac Pro, Reference Monitors, 4K TVs, and Tangent Element Coloring Surfaces
  • One advanced edit suite with iMac Pro, Reference Monitor, 4K TV, and Tangent Element Coloring Surface. Advanced Color Correction Suite

Playa Vista Campus
  • Editing Classroom / Computer Lab with 12 iMacs and 4K Side Monitors, 5.1 surround sound
  • Sound Editing Classroom / Computer Lab with 18 iMacs; teacher’s station has Avid S6 and attached Foley / ADR room; theater-quality 7.1 Surround Sound
  • Eight editing suites with iMac Pros with dual-screen setup, HP Z31 Dream Display reference monitors, and BlackMagic Micro Color Control Surfaces
  • Mix Stage (seats 12) with Mac Pro, Avid S6 Mix Console, Projector and theater-quality 7.1 surround sound
  • Foley / ADR Stage with Mac Pro, Avid C|24 Mix Console, 5.1 surround sound, four microphone inputs, four headphone outputs, Sennheiser MKH 416 and Neumann TLM-102 in each stage, multiple walking surfaces and props.
  • Color Correction Suite with iMac Pro, Advanced HP Z31 Dream Display reference monitor, Christie 2K projector, and Tangent Element Coloring Surface