Brooklyn College (CUNY) - Feirstein Graduate School of Cinema

Website
https://www.brooklyn.edu/feirstein/
Location
25 Washington Ave, Brooklyn, NY 11249, USA
Degrees Offered
  1. 2 Year MA
  2. 3 Year MFA
Concentrations
  1. Cinematography
  2. Composing (Film Scoring)
  3. Directing
  4. Editing
  5. Film Studies / Critical Studies
  6. Film & Television Production
  7. Producing
  8. Visual Effects (VFX)

Film School details

Located at Steiner Studios, Feirstein is the only U.S. film school on a working lot, offering an MFA in Cinema Arts with specializations in Live-Action Filmmaking and Digital Animation & VFX. This three-year, collaborative program mirrors the professional industry while remaining one of the most affordable public options, even providing up to $10,000 in funding for every greenlit thesis film.
Graduate Application Requirements
  1. 2 Letters of Recommendation
  2. Official Transcripts
  3. TOEFL / IELTS (International Only)
  4. Personal Essay / Statement of Purpose
  5. Resume/CV
  6. Portfolio Required
  7. Film Treatment
  8. Visual Samples
  9. Creative Samples
  10. Writing Samples
Graduate Application Fee
$125
Minimum Undergrad GPA
  1. 3.0

More Info on Graduate Application Requirements:





Quick Facts

Nonprofit/For-Profit?: Nonprofit
Collaboration Model:
Cross-discipline collaboration encouraged
Residency Requirements:
On-campus required
Instruction Format:
In-Person Only

Deadlines, Decisions, & Enrollment

Graduate Deadlines:

Cinema Arts: January 15
Media Scoring: Fall August 10 / Sprin: January 10

See FULL Admissions Statistics

Tuition & Cost of Attendance

Graduate Tuition (Annual): $10k to $30k

Tuition & Cost of Attendance Details:

Scholarships

Scholarship & Funding Types:
Need-Based Financial Aid Work-Study Opportunities

Scholarship Opportunities Detailed:

Copyrights & Production

Copyright Ownership:
Unknown
Production Funding:
School covers 100% of production costs for thesis/cycle films School covers up to a certain amount for thesis/cycle films Limited grants available
Avg. Out-of-Pocket Production Cost: Unknown

Equipment Access

Equipment Checkout Access:
Unknown
Equipment Access Tiers:
Unknown
Mandatory Equipment & Lab Fees:
Unknown
Production Safety & Compliance:
Unknown / Not Specified
Production Insurance Coverage:
Unknown

Facilities

Filmmaking Facilities:
Unknown ADR / Foley Stage Private Editing Suites Green Screen Studio Screening Rooms Sound Mixing Suites Sound Recording Studio(s) Sound Stage(s) VFX / Animation Labs

Cameras & Equipment

Camera Types Available:
High-End Digital Cinema Cameras
Camera Brands Available:
ARRI RED
Lens Access:
Unknown
Lighting & Grip Equipment Available:
Unknown Basic Location Lighting Kits (Portable LED or tungsten kits for small-scale shoots) Professional LED Systems (Modern, high-output color-controllable fixtures and tube lights) Heavy-Duty Lighting (High-output Tungsten or HMI fixtures for large-scale sets) Studio Lighting Grid (Fixed overhead lighting systems in a soundstage environment) Standard Grip Package (Stands, flags, nets, sandbags, and mounting hardware)

Software Taught

Editing & Finishing Software Taught:
Avid Media Composer Adobe Premiere Pro DaVinci Resolve
VFX, Motion & 3D Software Taught:
Unknown
Audio Post Software Taught:
Unknown
Writing & Production Software Taught:
Unknown
Virtual Production / Performance Software Taught:
Unknown

Internship Opportunities

Internship Opportunities:
Unknown Self-Directed Career Services Support

Career Assistance

Job Placement & Career Services:
Unknown Career Development Training On-Campus Industry Recruiting Fairs

Alumni Employment Data

Alumni Awards

Alumni Success

Recent Alumni Credits:

  • James Franco
  • Mel Brooks
  • Don Lemon
  • Jimmy Smits

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Disclaimer & Data Accuracy

The information on this page is correct to the best of our knowledge as of the last update. Please verify all deadlines and requirements directly with the school, as they may have changed.

  • Financial Data: Statistics such as "Average Debt" and "Scholarship Awards" are self-reported or pulled from public records and vary significantly based on individual student profiles.
  • Due Diligence: We are not responsible for missed deadlines or rejected applications. Always confirm final costs, faculty status, and program details with the institution.

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Latest Film School Reviews

Great value. Great Location. Up-and-Coming
Reviewed by: Current Student
Degree: MA/MFA
Pros
  • Great value especially for in-state students. NYC based education plus it's neat to be on the Steiner Stuido lot (a Speilberg movie shooting here currently). Use the money that you save on the films that you make, which are your true calling card.
Cons
  • Faculty can power trip and give bad advice in critiques just like any other school. Here you will just pay less to listen to the garbage. You also are in NYC, which is cool, but it's still not L.A.
I've been absolutely happy with Feirstein. Great community. State-of-the-art facility. You will be taking a risk on an up-and-comer school but should pay off. At least, visit the facilities.
Affordability
5.00 star(s)
Alumni Network
4.00 star(s)
Campus
5.00 star(s)
Career Assistance
5.00 star(s)
Coursework
5.00 star(s)
Facilities & Equipment
5.00 star(s)
Professors
4.00 star(s)
Scholarships
5.00 star(s)
  • Like
Reactions: Chris W
Feirstein School
Reviewed by: Current Student
Degree: MA/MFA
Concentration: Directing
Pros
  • Supportive and diverse community
  • Fantastic equipment and facilities
  • Well-connected networks
  • Variety of disciplines
Cons
  • CUNY provides inadequate administrative/financial help
The Feirstein School is a huge up-and-comer, a nascent program that will come to rival the top schools in coming years. Their equipment inventory, soundstages, and range of production and post-production facilities, including construction shop, FOLEY studios, many editing bays, motion capture, professional sound studios, not only give filmmakers a wealth of tools to make professional films, there is also the necessary staff, faculty, courses, and students to make full use of the facilities. Many of the professors also teach at other top film schools, mainly NYU and Columbia, as well as Pratt and others, so you're getting the same professor for a fraction of the cost. Another super important thing is the culture at the school, which is very much built around community, collaboration, and support. The refreshing lack of ego and competitiveness makes it a particularly good environment to learn and practice the craft of filmmaking. They also offer screenings, Q&As, workshops, and other such events that bring in members of industry on a regular basis. In addition, the school has a solid advisory council with mentors for students' thesis projects, including such names as Stephen Soderbergh, Ethan Hawke, John Turturro, and Darren Aronofsky. Far and away, Feirstein is the best film school you might never have heard of. But in ten to fifteen years, they'll be talked about in the same breath as Columbia, Emerson, UT Austin, and UCLA.
Affordability
5.00 star(s)
Alumni Network
4.00 star(s)
Campus
5.00 star(s)
Career Assistance
4.00 star(s)
Coursework
4.00 star(s)
Facilities & Equipment
5.00 star(s)
Professors
5.00 star(s)
Scholarships
3.00 star(s)
jkosmacki recommends this film school
2 members found this helpful.
  • Like
Reactions: CaptainJZH
Scam
Reviewed by: Alumni
Degree: MA/MFA
Concentration: Cinematography
Pros
  • Cheap-ish, sort of convenient location, sort of new equipment
Cons
  • Cheap, poor leadership, no career prep, haphazard and unorganized, unhappy staff
If you're a director you will be treated like a brilliant golden child whose story must be told, and have to do very little actual work/labor. You'll watch criterion movies and wax poetic about meaning and probably get into heated arguments about race/class.

All the other tracks (Cinematography, writing, etc) are set up to serve the directors. Essentially you are paying to work for free on student films. If you're lucky, maybe it will be a good one. And you get some glorious demo reel footage.

When I was there, we had no actual head of the cinematography department, teachers would show up late, with no plan for the class session, and basically wing it. They'd ask us "well, what do you wanna do? Wanna play with some lights?" Other teachers were arrogant and worked on one movie like 30 years ago. A handful were actively working in the industry, and therefore, their time at feirstein is a side-gig. Not so important to them. Understandable.

Also, getting gear and using the studios are a massive hassle.

Some of the admins are fine, but most are, in a classic hollywood/film world fashion experts at talking but not doing. Evasive and not accountable.

For a film school it's cheap, but considering you leave with basically nothing, it's very expensive. If you have money and time to burn, or a supportive partner/family that funds your life, it can be a fine way to spend 3 years playing around.

If you don't have have money or support, as in, you are a real person who works and pays to live in NYC, it's much much more difficult to make this work. And you will go into a lot of debt for this dream. So it's not really a place for poor people, to put it bluntly. Despite what their marketing may lead you to think.

If you really want to work on film sets, you're better off just doing that, starting as a PA or camera assistant, etc. If you want to make movies, shoot them on your phone. Because that's what you will do after spending 3 years here anyway.
Affordability
3.00 star(s)
Alumni Network
3.00 star(s)
Campus
2.00 star(s)
Career Assistance
1.00 star(s)
Coursework
2.00 star(s)
Facilities & Equipment
4.00 star(s)
Professors
2.00 star(s)
Scholarships
2.00 star(s)
Last edited by a moderator:
  • Like
Reactions: RWU96
CaptainJZH
CaptainJZH
heya, I'm in a similar boat as you, 3rd-year post-production track -- I've had a fairly good experience but that's because I sought out people who I could tell would be good collaborators but others in my track have had very poor experiences especially with how the directing track is overemphasized

the good (?) news is that next year they're officially doing away with the cine, screenwriting, post, etc. tracks altogether and just doing one singular "Live Action Filmmaking" track which according to the curriculum just looks like they just took the directing track and slapped a couple of screenwriting, cinematography and film studies courses in there

which I suppose is for the best since in my year, like, there's just 3 post students and 4 cinematographers, and like 20-30 directors, so they're recognizing that that's what most people want to go to film school for

Latest questions

I am deciding between DePaul's MFA program and this school, and I was hoping to hear any input from alumni, current students, or anyone who knows about the programs. I'm having trouble deciding because I'm not sure which will help me launch my career. Thanks!
Ctbck
Ctbck
From a mentorship perspective, I gained a lot. I also gained a lot from working on larger sets and leading those teams, and I'll say the undergrad students are super bright, passionate, and talented. Having them crew your films is a huge blessing.

In terms of launching a career, I'd need to know more about what you are trying to do post-grad. I have a day job and am sticking with that while I pay down loans, but I think I have the skills to throw my hat in the ring as a director or producer if I wanted to go after it, and I do believe my DePaul network would help. I'm in post for my first feature, and lots of that team was students I met at school, so in a way my MFA is already helping pay for itself just with the network I created. But I'm definitely more interested in low-budget indie films and would be happy to be able to have a career doing that while balancing another job (like teaching). I don't need to be a director 100% of the time all the time (Even though I'd LOVE it!)
Ctbck
Ctbck
I went to DePaul and actually just graduated earlier this year. Some of the directing program was 'under construction' so to speak while I was there, so there were some classes that were more useful and some that were less useful. I feel like that's probably the case at any school though since everyone comes in with different experience/interests/abilities.

There are some really fantastic, invested faculty at DePaul, and I am super grateful I met my thesis advisor. My cohort was also a major strength of the program, it was a really supportive group of creatives and in fact many of them I still work with outside of school. One thing I loved about my cohort was that it was small and everyone was interested in different genres/styles. It made for a great experience overall, even with some of the classes being lackluster (Editing and a class on post-production workflows and Proxies were a real drag).
Anyone has any comments about the undergrad program? My son is interested in film, mainly screenwriting but many schools seem to expensive for us and Brooklyn College seems to be an affordable option. I have not been able to find much info about how good their program is. Thank you.
JoeLevy
JoeLevy
Well it is an excellent film school. It allowed me to become Oscar Nominated. Prof Tutak is amazing and so is the rest of the faculty,
  • Like
Reactions: Yappy4
Y
Yappy4
Thank you! My son applied and we will see what happens.
Y
Yappy4
Congratulations on your Oscar nomination!
To all those who applied,

How long did you hear back for an interview/admittance after submitting your application?
Chris W
Chris W
See our Acceptance Rates & Data tab. :)

S
soysaucechicken
About 10 biz days.
lauren_martine
lauren_martine
Hi Joshua, I applied on Jan. 15, got an interview a month later, and heard back a month after that. So I got my acceptance a little over two months from my application date. Brooklyn goes by rolling admission, so the dates might vary based on the number of spots filled. Hope that helps!
One member found this helpful.

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Film School information

Category
New York
Added by
FilmSchool.org
Views
60,185
Watchers
17
Reviews
5
Questions
4
Last update
Rating
2.60 star(s) 5 reviews

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