Chapman University - Dodge College of Film and Media Arts Reviews & Admissions Statistics

I studied in the MFA cine program for one year and deferred due to the corona virus, but decided not to return to the program, mainly due to disillusionment with the quality of the classes.
The first semester, everyone is required to take a class called "Story". To be blunt the class was kind of a joke. It involved reading stories like The Tell Tale Heart and the Oedipus myth, stories which basically every high school American is exposed to at some point. The homework was also pretty mind numbing and reminiscent of high school busy work, which makes you wonder why graduate students are being subjected to it. Furthermore, why are cine students forced to take an acting class their second year?

The only classes that I thought were useful were the ones specific to my discipline--cinematography. And that's the problem with Chapman's MFA program for production-- it should actually be a condensed two year degree like AFI. I would have loved to have taken all the cine classes, ignored the rest, and graduated much sooner and cheaper, but unfortunately that's the con of a curriculum that's predetermined.
Based on my experience of the program it's designed more for students who haven't had much prior production experience.

Unfortunately, I don't think Chapman does a very good job of preparing those students who do have less experience than others. The first semester cine students are required to make a project called a 3-2-1, yet are given pretty much zero instruction in the very basics of lighting. Two cine students dropped out right after the first semester because they realized it makes no sense to pay all that money for lessons that weren't even given. People go to film school to be taught and instructed in an organized way, not to figure everything out on their own. That's what YouTube is for. During the second semester, lighting was finally covered in more detail... after over 20K had already been spent by every student.

The philosophy at Chapman is actually that students are supposed to get most of their hands on practical knowledge by volunteering on student sets. Which is fine. That's why I dropped out. Because why pay money to work on sets when I can work on sets for free without paying? And that's the problem. The students I've worked under certainly know things that I've learned from, but there's no way of knowing what it is you don't know unless you actually have an experienced professor teaching you. Maybe more of that happens in the second year, but I didn't care to risk all that money to find out.

The second, and possibly most important, issue that I believe holds Chapman back is the quality of the students they admit. Networking is a huge part of film school, so if your classmates aren't that special, then you're in trouble. I'm not speaking about my fellow cine students, but mainly the quality of the directing students. Many seemed to have a working knowledge of cinema limited to Marvel and Christopher Nolan. Which I guess is fine if you want to try to make films like those. Others liked to spout trite and poorly reasoned regurgitations of the latest pop woke tropes, which I suppose is also fine if you want to direct Coke commercials. But if you want to make meaningful independent cinema... well, there weren't too many unique, truly authentic voices to be found in that bunch.

I know someone who attends AFI, and based on what I've heard the gulf between the quality of students at AFI and Chapman isn't very close. The resumes of the AFI students knock those of the Chapman students out of the park. Many have already shot, edited, or directed a feature, and many have legitimately impressive connections (connections are definitely not required to gain admission though). If you want to surround yourself with people very likely to be successful, you'll have a much better shot at AFI.

Demographically, most of the students in the whole graduate program (not just MFA cine) are white or international Chinese students. A very small percentage are black, and I'm not really sure what accounts for this disparity other than that Orange County itself has a very small black population, and black students probably prefer attending programs in LA where there is a much bigger local black population. The high number of international Chinese students makes networking somewhat difficult, as there can unfortunately be a bit of a language and cultural barrier. This group is kind of cliquey, probably because it streamlines things for them to work with those who speak the same native language. But they're also very good at connecting with fellow Chinese students at the other big schools like USC and AFI.
Honestly, I don't like referring to Chapman as a film school. They are currently phasing out all their film cameras, and much of the interest and excitement attending students have appears to be focused on digital TV production more than anything else. It is definitely not a cinema lover's school, although I was lucky to meet a few like minded people there. While I was disappointed overall, I'm glad I went for the one year I did. I learned some things I didn't know about cinematography before, and made some connections with people I will be working with in the future. But for those who want the best MFA experience, I suggest looking elsewhere.

I did my undergrad at Chapman, earning a BFA in film production. The MFA production program is also quite good, having pumped out some really prestigious award winning thesis films as of late (ITS JUST A GUN and ROCKET both won the student Academy Award), but the MFA students on average seem a little less committed compared to the undergrads: it really feels like a BFA school more than anything. The Film Studies program is pretty wonky to be completely honest. Many of my favorite teachers aren't there full-time or have been fired as of late. But regarding my BFA in production: It was a great experience overall, especially in my junior and senior year where my workload really picked up and I made a lot of amazing friends that I still creatively collaborate with to this day. Everyone is here to help you. Making art never feels like a sport here, which is great.

Having said that, if you aren't naturally predisposed to putting your blood, sweat and tears into your projects, THEY WILL SUCK. Your teachers can only help you so much (and some teachers are outright buzzkills). The resources are out-of-this-world good, but it's up to you to take advantage of them, learn them, and really be in the thick of it. Students very quickly rise to the the top, so if you aren't on set each weekend you probably won't learn the technical side of things all too well.

The biggest piece of advice I can give you is never to forget the importance of watching films. Just because you're in film school doesn't mean the only stuff you should be watching is what the curriculum assigns you. Chapman's biggest misstep is that it never teaches a course on MAKING/WRITING SHORT FILMS, something that's very different from feature films. I highly encourage all new students to an hour or two each day to watch a feature and a short film, it's the best way to learn after doing.

Note for Directing hopefuls: Making film's gets expensive, so obviously it's important to be smart about where and how you spend your money. Because directors usually fund their films entirely, DP's get greedy with fancy lenses and cameras, but don't let yourself be discouraged. Remember that what's in front of the camera is most important (especially your screenplay and the actors performing it). As such, it's essential that you watch films in order to learn how to do this well. Don't let that shiny ALEXA and those anamorphic lenses distract you.

Finally: Chapman has some phenomenal courses in film studies, but they aren't mandatory (teachers that stand out are Kelli Fuery, Ethan Thomas Harris, Andrew Erish, etc.) but many of them are adjunct. It's a shame that directors aren't forced to take these courses, because the thesis films are so aesthetically polished that they ought to be more conceptually daring.

Remember: there is no such thing as a perfect film school. Chapman teaches STYLE over SUBSTANCE so make sure to teach yourself what your classes aren't providing. At the end of the day, it's somewhat of a craft-school, but that's not a bad thing: if you're a director it means you'll work with the most talented DP's, editors, sound designers, etc. you'll ever meet, and if you're any of the aforementioned emphases you're likely to get really good at your job and will be in high-demand post-grad.

I attended Chapman's MFA Producing Program from 2010-2012, immediately after finishing undergrad. My experience was a good one overall. I produced several award-winning shorts and was taught by a lot of leading industry veterans. I met and collaborated with a lot of talented people and have kept in touch with many of them who are doing great things. I received a $4,000 per semester fellowship, which really helped with expenses.

I will say that grad school is sort of what you make it. You can just take the classes and go through the motions to get the degree, but to get hands-on experience, you'll need to put in the work. You'll need to have internships, develop side projects, shoot and edit non school-related projects, and build relationships with classmates that will turn into industry relationships in the future.

It's expensive, but it's one of the most highly-regarded film programs in the world. If you want to work in any facet of the industry, you'll be prepared. If you want to teach, you'll also be prepared. I would definitely recommend this program to anyone who isn't completely dead-set on attending one of the bigger name programs just because of the name. Chapman has the same level of faculty, better facilities, and is cheaper than the others, but is just as highly-regarded in the industry.

I had to limit my pros and cons in the above, so here are the rest of the:

PROS
-Great location (beautiful area with not too much congestion)
-Great guest lecturers and screening opportunities
-Chapman Filmed Entertainment
-Opportunity to work on as many student projects as you want
-Opportunity to take classes outside your chosen track
-Tuition in reference to comparable film schools (but still expensive)
-Fellowship opportunities to alleviate tuition costs
-Don't need to take the GRE (at least when I went)
-Small class sizes for grad programs
-Always at the top of the "nation's best film schools" lists
-Chapman, in general, has a great university reputation

CONS
-Not a ton of internship opportunities through the school (you have to go out and search on your own)

I graduated from Chapman's MFA program back in 2012 and I have to say that my experience was very positive.
I was specialized in Editing and the program was very robust.
Chapman's system is broken into a conservatory model (they kind of treat you as if you've never have any experience with film in general). Your first year is spent on the foundations/basics of film. Shooting, writing, editing, directing, etc. These are then supported by projects that you do that is meant to take you through the steps of an entire short film. You will also be taking your specialization specific courses this year as well, but at the basic level. During the first year, you are also required to assist the 2nd years in their cycle films on set and sometimes even in post. This is to help build your general knowledge of filmmaking so you don't go into the industry looking/sounding like a fool who has no idea how things are done.
your second year is the time in which you really go into the specialization of your choice (that you were accepted into). You will also be working on atleast 2 short films called Cycle Films. This is a collaboration between ALL the students from each department. At this point it really tests your ability to work in a team as well as being able to independently work and make decisions as needed.
Finally your 3rd year is all about your thesis film. All you do at this point is work on your thesis film.

Between all 3 years you have the choice to take as many classes as you want. There is an "Interterm" where you can take additional classes or just take time off, (although I would suggest you try to get into one of the filmmaking classes so you can build more experience. During summer you can also get yourself certified in programs like Avid Media Composer or ProTools.

In regards to professors, you're looking at current working professionals and also those who are very well known in the industry. Everyone that I had the pleasure of studying under have all been extremely helpful and it's entirely up to you to make use of these resources.
Equipment wise, it's very well maintained and you just need to make sure you make a request for specific cameras that might be in demand early.

In general, there is a lot of things you can learn from here, but it's up to you to go for it. I learned sound mixing and foley/adr in my free time and got certified in both Avid and ProTools, so it's just up to you on how pro-active you want to be to make use of the money you spend.