Western Colorado University Graduate Program in Creative Writing - Screenwriting MFA

Low-residency Screenwriting MFA/MA with emphasis on small cohorts and high levels of personal mentorship by faculty who work in the industry right now. A transformative, one-week July residency brings the entire GPCW together on Western's Colorado campus.
Degrees Offered
  1. 1 Year MA
  2. 2 Year MFA
  3. 3 Year MFA
  4. Low-Residency MFA
  5. Short Term Courses
Concentrations
  1. Film Business
  2. Film Studies / Critical Studies
  3. Screenwriting
  4. Writing for Screen & Television

Film School details

As one of five concentrations in Western’s Graduate Program in Creative Writing, the Screenwriting concentration provides a supportive literary home for writers who see stories in motion. Grounded in the power of visual storytelling, the program offers a welcoming, creatively rigorous environment where students develop original work for film and television while refining their unique narrative voice, alongside artists in a variety of writing disciplines.

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Designed to support a diverse community of full-time students, working professionals and lifelong learners, this screenwriting-focused master’s pathway blends live virtual coursework with intensive, one-on-one mentorship from screenwriters with current and active experience in how the industry operates now. Students build a personalized, professional portfolio while learning the practical realities of the entertainment industry.

Focused mentorship and sustained creative practice--this is the foundation of the Screenwriting MFA at Western.


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The program offers both a two-year MFA terminal degree and a one-year MA, allowing students to choose the pathway that best aligns with their professional goals in film, television, and digital media.
  • A Personal Apprenticeship: In a field that can often feel inaccessible, we offer a small, welcoming community where you receive personalized mentorship from a diverse faculty of accomplished content creators currently navigating the entertainment industry in their own careers. In the second year of your MFA, you work with a thesis mentor on a single script for an entire year. Our faculty are all current, active members of the entertainment industry.
  • Synchronous Class Sessions: Our weekly live classes increase community and connection, both to the work to and your fellow students.
  • Guest Speakers: Each semester, our faculty welcomes guest speakers from behind-the-scenes in film, television and management.
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  • The Full Spectrum of Story: We focus on nurturing your unique voice as you produce multiple original screenworks for film and television.
  • A Professional Portfolio: You will leave the program with a polished, industry-ready portfolio, gaining critical skills through dynamic coursework and invaluable real-world insights from industry experts.
  • The July Residency: A Creative Fellowship: Our summer residencies bring together all concentrations, reinforcing the bond of creativity you share with peers from diverse backgrounds who encourage exploration and individuality.
  • Built for the Working Writer: Our low-residency model allows you to dive deep into the world of film without leaving your home or current career, blending live virtual classes with the visceral connection of our one-week summer residencies in Gunnison.

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Answer the Call of Your Creativity. Whether you've always known you have wanted to create stories for the screen, or you are already always creating them, our Screenwriting concentration nurtures the total artist while offering practical guidance toward mastery of the craft--the basis for a life-long exploration of inspiration and imagination.

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Create a Writing Routine. Many of our busy students find the structure imposed by a screenwriting program gives them the impetus they need to dive into -- and finish -- their works written for the screen.

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Navigate the Industry. Our faculty have rich and varied experience in the entertainment business. Real-world industry knowledge combines with each writer's individual expression, fostering unique visions that will sustain them through a commitment to a life in the arts.

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Be Qualified to Teach the Art of Screenwriting. An MFA in this specialized field can be a valuable asset to a higher-education career grounded in sharing your love of visual storytelling with others.

The Screenwriting Concentration at Western's Graduate Program in Creative Writing provides the technical mastery and communal support you need to bring your stories into motion.

"I cannot describe how much this program means to me, the opportunity to learn and grow as an artist and writer." - David Carter, 1st Year MFA Student

"Learning Screenwriting at Western's Graduate Program in Creative Writing gave me a new perspective on storytelling by giving me the freedom to develop my voice and my stories." - Roxanne Skelly, GPCW Graduate

Watch our Brand-New Western Screenwriting Video:


Listen to Screenplaying, the GPCW Screenwriting Podcast we Produce in Partnership with the Crested Butte Film Festival:


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Graduate Application Requirements
  1. 2 Letters of Recommendation
  2. Official Transcripts
  3. Transcript / Credit Evaluation (International Only)
  4. Personal Essay / Statement of Purpose
  5. Cover Letter
  6. Writing Samples
Graduate Application Fee
$0
Minimum Undergrad GPA
  1. 3.0

More Info on Graduate Application Requirements:

Graduate Application Requirements can be found at this link: Screenwriting - Application Requirements - MFA in Creative Writing.
***Scroll down to "Admissions, Cost and Requirements" on right sidebar, then go to the "Requirements" tab.***

Quick Facts

Nonprofit/For-Profit?: Nonprofit
Program Style:
Hybrid Project-based Lecture / Seminar-focused
Collaboration Model:
Cross-discipline collaboration encouraged Track-specific cohorts Individual-focused
Residency Requirements:
Low-residency
Instruction Format:
Hybrid (In-Person + Remote) Primarily Online
Total Graduate Student Body: 15
Graduate Entering Cohort Size: 5-10
Per-Track Cohort Size:
5-10
Graduate Student to Faculty Ratio: 1 faculty per 3 students
Industry Faculty Percentage: 100%
Average # of Guest Artists / Professionals per year: ~10 guest speakers

Recent Notable Guests:

Callie Khouri, Oscar-Winning Screenwriter, Thelma & Louise
Rick Cleveland, Emmy-nominated and Emmy Winning Screenwriter, Mad Men, Six Feet Under, House of Cards, Man in the High Castle
Ariel Karlin, Comedian, Writer, Hacks
William Yu, Television Writer, Story Editor on The Burbs.
Janet Jeffries, Development Executive, Lawrence Bender Productions
Michael Kostroff, Actor, The Wire, Spider-Noir, Law & Order SVU, The Plot Against America

Deadlines, Decisions, & Enrollment

Graduate Deadlines:

Apply here. Applications open August 1 through May 31st.

Notification of Decision:
Rolling.
Students Receiving Aid: 35%
Average Scholarship Amount: $1,500
First-Year Retention Rate: 95%
Graduation Rate: 90%

See FULL Admissions Statistics

Tuition & Cost of Attendance

Graduate Tuition (Annual): $10k to $30k
Graduate COA (Annual): $10k to 30k

Tuition & Cost of Attendance Details:

Total cost of attendance can be found at this link: Screenwriting COA - MFA in Creative Writing.
***Scroll down to Admissions, Cost and Requirements on right sidebar, then go to the "Tuition & Cost" tab.***

Scholarships

Scholarship & Funding Types:
Merit-Based Scholarships Need-Based Financial Aid Talent-Based Awards

Scholarship Opportunities Detailed:

Scholarship information can be found at this link: Screenwriting MFA Scholarship Information
***Scroll down to "Scholarships" on right sidebar***

Copyrights & Production

Copyright Ownership:
Student owns all copyrights

Equipment Access

Facilities

Cameras & Equipment

Software Taught

Writing & Production Software Taught:
Celtx Final Draft WriterDuet

Internship Opportunities

Internship Opportunities:
Self-Directed

Career Assistance

Job Placement & Career Services:
Career Development Training

Alumni Employment Data

Alumni Employment Details:

The entertainment industry does not come with guarantees. Our program promises a transformational experience and the opportunity to create, share and workshop with other creative artists while learning how to navigate the film and television landscape.

Alumni Awards

Independent Award Nominations: 0–25 (Past 10 years)
Independent Award Wins: 0–25 (Past 10 years)

Notable Alumni Award Highlights:

Jenny Goddard-Garcia, Stowe Story Labs Ireland Fellow. *Accepted into the lab with the thesis script she developed at Western.
Matt Edwards, Executive Producer, Writer and Star of Pretty Boys (with Doug Jones, Shape of Water, Pan's Labyrinth)
Doug Hill, Founder, (i)Doug.A.Hill: Movies That Matter
Calvin Shepherd, Founder, Deescalated Pictures
Maegan Langer, ISA Fast Track Fellowship (Star Trek: Strange New Worlds)
Bryant Womack, Professor, Film & Performing Arts, Cinematic Previsualization & Production at the University of Alaska, Fairbanks

Alumni Success

Industry Fellowships: 1–10 (Past 10 years)
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Disclaimer & Data Accuracy

The information on this page is correct to the best of our knowledge as of the last update. Please verify all deadlines and requirements directly with the school, as they may have changed.

  • Financial Data: Statistics such as "Average Debt" and "Scholarship Awards" are self-reported or pulled from public records and vary significantly based on individual student profiles.
  • Due Diligence: We are not responsible for missed deadlines or rejected applications. Always confirm final costs, faculty status, and program details with the institution.

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Latest Film School Reviews

Alumni Review
Reviewed by: Alumni
Degree: MA/MFA
Concentration: Screenwriting
Pros
  • Industry Professionals as Instructors
  • Small class size
  • Personal instruction
  • Diverse Faculty
  • Feature and Television instruction
  • The Best Damn feedback you could ask for
Cons
  • Flying into Denver International Airport for residency!
Hi! I’m Bryant Womack, Western Colorado University Class of 2025 and now faculty at the University of Alaska, Fairbanks where I teach undergraduate screenwriting and filmmaking.

There’s not a day that goes by I don’t apply my education from Western be it as a professor in my own classroom, or in my practice of writing screenplays and novels. I consider myself indeed fortunate to have had the screenwriting instructors at Western guide me in my career as both storyteller and educator.

The dedication of the screenwriting instructors at Western focus on craft, mentorship, and a collaborative structure that is both fulfilling and challenging.

Let me rephrase that - pursuing my Western MFA kicked me in the butt 17 ways to Sunday! However, the discipline, instruction, guidance, and belief my instructors had in me - and continue to give me - turned me into the best I can be, and it’s simple to understand why - because I was taught by the best.

Sure, you can say this review is coerced and/or staged. I get it. I thought similar when I applied at Western and read similar posts to other schools I’d been accepted into for screenwriting that boasted their programs. But, I committed to Western.

The reason? Simple.

Because the instructors at Western offer in-person classroom and mentorship interaction. Others schools offering online course work end up being asynchronous and detached from the student. That might work well for some, but the collaboration and personalized dedication to you and your work often gets lost. As an educator I see that all too often in asynchronous programs.

So, let me shout out to you the names, James, Mita, Kim, Liz, and Amy. Come to Western, and they’ll shout out a list of names in the industry to you, and when that happens, you’ll understand why Western is one of the best possible choices for your career in screenwriting.

Finally, aside from screenwriting, the personalized attention I received from my Western instructors and cohort made me want to be not just a better writer - but a better person.

Apply. Write. Be the best.

Go Mad Jack.

Bryant Womack
MFA Screenwriting
Class of 2025
Affordability
5.00 star(s)
Alumni Network
5.00 star(s)
Campus
5.00 star(s)
Career Assistance
3.00 star(s)
Collaborative Culture
5.00 star(s)
Coursework
5.00 star(s)
Facilities & Equipment
5.00 star(s)
Professors
5.00 star(s)
Scholarships
3.00 star(s)
Professional, Industry-Level Training in an Inclusive Community of Writers
Reviewed by: Alumni
Degree: MA/MFA
Concentration: Screenwriting
Pros
  • Inclusive & diverse program with incredibly supportive leadership
  • Faculty are legit working in Hollywood as we speak
  • Many masterclass/workshop opportunities with other outside professionals
  • Learn the business of “the business”.
  • The thesis scriptwriting process is ESSENTIAL to your ability to then tackle that level of project on your own.
  • Faculty work at your pace while also pushing you toward excellence.
  • Residency offers opportunities for you to make connections with other writers for future collaborations.
I am honored to be writing this review for Western’s graduate program in Screenwriting, but I am really writing a review for the Graduate Program in Creative Writing as a whole.

I cannot recommend this program enough, truly. It’s hard to describe just how much I learned and am still learning! I graduated with my MFA just this past July (2025) and am already seeing my hard work pay off. Let me repeat an important part of that sentence once more… “hard work”.

This program is not for someone looking for an easy way to “get their masters degree online”. This program is for writers, artists who are looking to master their craft and build an understanding of how to navigate the even harder reali-life industries. This program is for folks who take writing seriously and look forward to nerding out each week. This program is for the voices that don’t feel like they belong anywhere else. And, yes, this program is for those who looking for hard, but oh so rewarding, work. Who said getting your masters was supposed to be easy?

Let me tell you, sewing these seeds will lead to a bountiful harvest. I graduated just over 6 months ago and have already been selected in three screenplay completions, I have a reading planned for my thesis script, and I’ve had the opportunity to meet with some producers. Me and some other alumni have even started our own weekly writing group to continue sharpening the tools we learned at the GPCW!

The faculty are experienced, knowledgeable, and superb writers themselves. The leadership are gracious, supportive, and open to your feedback. The curriculum is fast-paced, challenging, and worth every stressed out second you give it.
Affordability
4.00 star(s)
Alumni Network
5.00 star(s)
Campus
5.00 star(s)
Career Assistance
5.00 star(s)
Collaborative Culture
5.00 star(s)
Coursework
5.00 star(s)
Facilities & Equipment
4.00 star(s)
Professors
5.00 star(s)
Scholarships
4.00 star(s)
I graduated from WSCU's MFA program in 2015 and I thoroughly enjoyed it
Reviewed by: Alumni
Degree: MA/MFA
Pros
  • Professors are professionals in the film industry living/working in LA.
  • Professors give great feedback and lots of one-on-one attention.
  • It's low-residency so you can do classes from anywhere.
  • The 2-week summer session in the Colorado Mountains.
  • Covers all the main screenwriting types: Film, TV, Adaptation, Genres, Spec Scripts.
  • Workshops and table reads.
Cons
  • A little expensive.
  • Heavy Classload -- If you can't write two scripts at the same time, you may struggle.
I graduated from WSCU's MFA program in 2015 and I thoroughly enjoyed it. I think not enough people know about the program, so I wanted to share some information about it. I chose the school because it was low-residency so I could keep working without having to move for classes, and because the screenwriting professors all were industry professionals working in Los Angeles. I got a dual MFA in both Fiction Writing and Screenwriting, so it really mattered to me that the people teaching have experience publishing and selling work as I didn't want to be a teacher like a lot of MFA Writing Programs guide you into being.

The other portion of the program that I thought was great for me was that each track of the MFA program has a course on the business side of things and how to get into the industry. Your thesis advisor and professors work with you to come up with your own plan of contests you should enter and managers/agents you should consider based on your writing style. They really mentor you to try and help you find your own path into the industry based on your goals.

During the summers you have a two-week on-campus intensive where you workshop new writing, have seminars on the industry, and attend a writer's conference with the option to see guest speakers from each of the industries in the MFA Program (screenwriting, fiction, poetry, publishing). It was a nice perk to have the in-person segment so we could meet the people we'd been talking to all year and you pretty much talk writing and film non-stop which is always awesome. Plus, two weeks in the mountains in Colorado was like a vacation every year and you have a few free days to explore.

The only downside I really had in the program was more toward the fiction side of my studies. I had some issues with my fiction thesis advisor, but she's no longer a professor at the school and that doesn't apply to the screenwriting program at all. I'm still in touch with both of my screenwriting professors on a regular basis.

The downside I've heard other screenwriting students talk about was that there's an out of concentration course you have to take in either fiction or poetry, but the majority took the fiction course and found it helped them with the adaptation class later. Since I had a double major anyway, it didn't bother me.

I would definitely recommend anyone who is interested in a screenwriting degree but isn't quite ready to move to LA or NYC where some of the major schools are to consider WSCU's program. Being able to do it low-residency let me keep my job and my expenses lower during the years I was in school, which let me save up for classes and so I could follow through on my plan to move to Los Angeles after I graduated.

The main downside to the program is the same with any sort of writing program really -- it's expensive and there's never a guarantee you're going to find a job in the industry you're studying. However, I felt like the program was worth the cost because it taught not just the writing but the business, and sort of prepped you the best it could for getting in the industry in some way. The Writing Conference and 2-week summer session always gave you an opportunity to network and practice pitching, and overall I just felt like I at least knew how to approach becoming a professional screenwriting by the time I was done, it was just up to me to pursue it.
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Film School information

Category
Colorado
Added by
GPCW Screenwriting
Views
2,030
Watchers
2
Reviews
3
Last update
Rating
5.00 star(s) 3 reviews

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