France is home to some of the world’s most respected film schools, and few have shaped the country’s audiovisual industry quite like École Supérieure de Réalisation Audiovisuelle (Le Groupe ESRA). Founded in 1972, ESRA has educated generations of directors, cinematographers, producers, editors...
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In part one, Benjamin Azoulay talked about ESRA's philosophy, its current degree offerings, and the basics of the admissions process. In part two, Azoulay shares everything you should know before you apply, including the cost of attendance, how ESRA puts together new cohorts, what day-to-day...
California Institute of the Arts, better known as CalArts, offers an artistic community where filmmakers are encouraged to experiment and explore their creative identities. Walt Disney founded the school in 1961, envisioning an institution where artists of every kind could learn from each other...
In the final installment of our exclusive CalArts interview, Alexa Pellegrini speaks with Ranu Mukherjee, Dean of the School of Film/Video, about fine-tuning your admissions strategy, financial aid, how undergraduates and graduates receive direct access to the film industry, film showcases, and...
Western Colorado University's Graduate Program in Creative Writing (GPCW) prides itself on not making students, but cultivating relationships to help creators realize their artistic potential. The GPCW operates on a low-residency model, offering students in its Screenwriting MFA and MA program a...
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In the final installment of our exclusive admissions interview with WCU's Graduate Program in Creative Writing (GPCW), James Napoli breaks down the key differences between the MFA and MA, and the alumni network, while Fuhrman shares how to strengthen your application, from compelling letters of...
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The University of Colorado Denver is one of the best institutions in the Western US for undergraduate filmmakers. Located in the Mile High City, CU Denver is only a short drive from the acclaimed Red Rocks Amphitheatre concert venue, picturesque hiking trails, and some of the world’s best skiing...
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In the second and final part of our interview, Alexa Pellegrini continues the discussion with David Liban about student life in the program, including the equipment and facilities, on-campus culture, how CU Denver's annual film festival supports student development, and more. Liban also shares...
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Tucked away in the capital city of Connecticut, the University of Hartford's Cinema program is one of New England's hidden gems for undergraduate film students. Founded in 1957 through the merger of Hartford Art School, Hillyer College, and The Hartt School, the University has a longstanding...
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In the final part of our exclusive interview, the University of Hartford's Lauren Cook, Director of the Cinema program, and Nicole Mazzarella of Admissions share tips to increase your chances of acceptance, dive into the program's courses, and discuss where alumni have started exciting careers...
Even with financial aid, getting your MFA in film might be too costly. Many of the world's most prestigious film schools charge tens of thousands in tuition annually, aside from housing, food, and transportation expenses in filmmaking hubs with a high cost of living.
However, not all graduate...
Hello, everyone! We're conducting an exclusive admissions interview with the University of Colorado Denver's Film & Television program.
If you’re curious about the admissions process, curriculum, facilities, career outcomes, and/or the student experience, please post your questions in a reply...
Loyola Marymount University’s School of Film and Television offers more than cutting-edge resources, award-winning faculty and panoramic views — it’s a creative community where collaboration and authenticity come first.
LMU welcomes undergraduate and graduate film students of all backgrounds...
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Part 2 of our LMU SFTV admissions interview continues with insights on the waitlist, successfully applying to its graduate film degrees, and more from Professor Weiko Lin, director of the Writing for the Screen M.F.A.; Tom Gutto, associate vice provost of undergraduate enrollment; and Lisa...
NYU Tisch’s Masters of Professional Studies in Virtual Production is a one-year graduate program ideal for filmmakers intrigued by fusing traditional filmmaking techniques with evolving digital media. Graduate students work at the Martin Scorsese Virtual Production Center, an expansive facility...
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USC's Cinema and Media Studies graduate degree program goes beyond technical skill-building to offer students a thorough, interdisciplinary comprehension of media and its function in society, integrating critical evaluation with historical, cultural, and industrial viewpoints.
The MA and Ph.D...
Editor's note: This article has been updated to promote Jeff Stanzler's next Zoom open mic on September 20 at 7 p.m. PST. To get the link to join, visit JeffStanzler.com.
When pandemic restrictions wound down and then disappeared altogether, many of us left the virtual world behind — but not...
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Emerson College has expanded its Department of Visual and Media Arts into the new School of Film, Television, and Media Arts, marking an exciting new chapter in the institution’s 130-year legacy. The College has a reputation for punching above its weight, including earning more Oscar wins and...
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In part two of our interview, Alexa Pellegrini continues the conversation with Shaun Clarke, Hanadi Elyan, James Lane, and Barabara Selmo about the nuances of Emerson College's graduate film degrees. The team touches on hands-on production and portfolio development; admissions and financial aid...
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Part two of FilmSchool.org’s interview with Brian Patrick Fagan, Director of UCLA TFT’s Professional Programs, shifts from admissions to the classroom. Fagan explains the unique features of Directing, Writing for Television, Screenwriting, and Acting programs; what makes instructors uniquely...
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