Collaboration at USC is definitely optional, but they give us so many opportunities, it's harder to avoid it than it is to do it, I suppose.
There's the 546, which are written by screenwriting students (typically) and brought to reality on 16mm, with a generous finance package from the school, by production students...4 each semester.
There's the Stark Special Project, which I submitted for today. 35mm, produced by Starkies. 3 each year, with $12K in funding for each.
Production students collaborate on theses, though they seem to write the majority themselves.
My coup, however, is the Stark thesis. Each Starkie nurtures a script, creating a package designed to launch their producing career...and in turn, the writer's career. I'm optioned for two theses, and I am effing stoked.
As I've said before, the excitement of USC was the opportunity for collaboration coupled with the flexibility to be able to take more than just feature writing classes...I'm excited to write for video games next fall...
The other schools I could've gone to didn't have that...AFI enforces collaboration, but forbids flexibility, and UCLA seemed shocked that I was looking for either facet. The not quite exact words when I asked about collaboration:
A shared look of surprise. "Well, I guess, if you seek it out."
Repeat for my questions about production classes.