Rose
Well-Known Member
@czu THANK YOU! I'm taking literal notes, because there's multiple things you mention that are night and day with my own application and application process that I think I can learn from - like the way you submitted two, very different scripts to showcase range and growth.Alright, back to blow up the chat lol. There are so many differences between this year and last year for me, number one being that I switched from applying mostly to Fiction to applying only to Screenwriting. All I did over the past year was write a screenplay - hardly wrote any prose, so it just made sense. I changed one recommender to a more screenwriting focused prof and kept the other 2 (screenwriting prof and English thesis prof) the same.
I also used new SOPs that I think were probably more to the point as to what is really important to me and what I really want to write. I feel like I started to figure this out toward the end of last year's applications. After writing so many SOPs I finally got an inkling of a compelling story that actually makes sense with what I'm writing and want to write - what actually ties them all together. Last year I feel like I would say I wanted to write one thing in my SOP and my actual writing would sometimes say something... slightly different, I think probably because I wasn't quite there yet with bringing those plans of what to write to fruition and I didn't have as good a sense of my own voice or brand or what I really was setting out to say. I would just kind of have an odd idea and write it (which is what so much literary fiction seems like to me. HA!).
I think I also was able to do a better SOP because I've just written more and have a better idea of what ties my screenwriting work together. The new screenplay I wrote is super focused on things I'm really passionate about. I really, really did the autofiction/write what you know thing, and I think it absolutely showed in my personal statements. I think I actually got less feedback on this screenplay, just from 2 really really intent readers, my best friend and a past professor, and they were both absolutely invaluable in helping me bring my idea to life.
I think for UTA in particular, since you can send 2 screenplays, I also probably showed some range in emotion and dialogue and both scripts were very easy to tie to my overarching goals, life experiences, etc. Like, I submitted a religious trauma college relationship drama (the one I wrote this year) and then a vulgar teenage runaways rom-com-dram road trip... with mind reading... and also lots of trauma (this was the screenplay I submitted to Michener last year). Lot of things going on there and I really hope it showed range, growth from one script to another, and a running thread between them.
Also, this probably sounds kinda weird, but I think I'm finally accepting that I'm just way better at screenwriting than fiction/prose writing. I took equal amounts of classes in Fiction and Screenwriting while at school, and it's a major no-brainer to me which one I feel more confident in. I LOVE DIALOGUE and write it down everywhere I go, every day, basically any time I hear somebody say something funny. When I would write prose, it was so hard for me to discipline myself to write basically anything but dialogue and inner monologue, and I feel like sticking so hard to dialogue/monologue can be a limiting thing in that medium. Hilarious, but I remember being in a fiction writing class in college (which I had eked into off the waitlist) and literally having another student tell me to try screenwriting - I always laugh about that because I think it was meant to be a compliment and a genuine suggestion but it could totally be taken as a quick way to say "wtf are you doing in this class" lol.
So that's how I ended up switching from fiction to screenwriting and what I did differently this year. Sorry for the ESSAY!!! lol
I'm processing what you said about how you used to set out writing one thing, but the work would say something different, and, also, this idea of using your own voice. These things get into a big area where I need to continue developing. It's really helpful to hear how you got from point A to point B on this.
As someone who enjoys multiple kinds of writing - from prose to poetry, etc., I'm also thinking about what you said about finding your strength in screenwriting and moving your focus. I had a similar experience in school - professors and peers pointing out the dialogue-focus to my prose and how it read more like a script, and in playwriting, noting that my scenes were paced more like film/TV. At the time, I took that as gentle ways of pointing out what I needed to fix in writing for these formats. You realizing that screenwriting is more intuitive for you is really lovely. The fact that you took that to lean in, all the more, is something you should be really proud of.
And I want to steal the way you listen for good dialogue! It sounds like a great way to get ideas, and develop a gut instinct for what's funny, and realistic, how to pace it, and so on. This is also in direction opposition to what I've done, which is only paying attention to dialogue in movies and shows I like.
I so appreciate you taking the time to share this!!!
Oh my gosh only one day left! Good luck!!!!I have mine on Thursday and I am TERRIFIED! lol. I'm sure you were great, though!