BuddernScotch
Well-Known Member
Just wanted to chime in on the BlacKKKlansman discussion to say I disagree with y'all, which I can do because I'm not trying to impress any of you, so HA!
I think the film very deliberately sets up the Klansman as idiots because A) they largely are, even in real life, which if anything makes them even scarier and B) it was trying to play upon audience expectations on how these "feel good racism" movies (NOT NAMING ANY FELLOW OSCAR NOMINEE NAMES, BUT YOU KNOW THE ONE) sets up the idea of racism as something that can be conquered, and stopped. And if the film ended with that notion, I would agree with you all. But the actual ending (which rather spectacularly took my breath away) is very much arguing that these Hollywood endings are bullshit, and this issues can't just go away because of one successful police crackdown. It was a bold, chilling way to end the film, and I appreciate the hell out of the movie for it. One of my Top 10 films of last year, personally.
That being said, there were better films on racism and corrupt institutions relessed last year. The Hate U Give, Blindspotting (which is so damn good) and ESPECIALLY If Beale Street Could Talk were all quite fantastic takes on the subject. And, hey, bringing it back to AFI for a second: I actually brought up Beale Street during my interview (they asked me about the last Oscar movie I saw, so I got ranting), and I mentioned how it was my second favorite film of the year, and lauded Barry Jenkins as one of our most brilliant filmmakers. Neither Thomas nor Kennedy had seen the film, and expressed little interest in it from what I could tell. Which bummed me out, while also somewhat explaining how the Oscar's could have so blindly snubbed it this year![]()
Interesting i interpretation. I rather got the opposite - making the KKK seem like idiots almost dismisses them. Real-life people that had been dismissed as idiots at first do quite awful things (Hitler. And... others).
And to me the ending felt exactly what you said it shouldn't feel like. As if racism is that easy to fool and deal with, As if it only happens in a bubble, and only heinous idiots carry it with them. Equating current events to the humorous tone of the rest of the film could have been a great juxtaposition but it felt too unorganic. What's terrifying about that level of hate is not that it comes from idiots and outliers in society but that it comes from people that will shake your hand when you meet them and are functioning parts of society with friends, family, dreams, intelligence... just like those they are being racist towards.
because I play games online, I've made some friends that are the exact opposite on the political spectrum from me. And if they knew from the start that I didn't look like them we probably wouldn't be friends. We're so much alike, yet when they learned I wasn't white ("but you sooouuund like such a white girl") they pulled away at first. This is such a little thing, but I'm using the example to highlight that if we met in real life, we may never have talked and never became friends, despite being so similar otherwise.
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